The history and poetry of finger-rings — John Shaqi
The history and poetry of finger-ringsEdwards, Charles
History
The history and poetry of finger-rings
Edwards, Charles
Rings
This little perfect figure may seem to be a trifling matter on which
to found an essay; and yet we shall find it connected with history
and poetry. It is, indeed, a small link, although it has bound
together millions for better for worse, for richer for poorer, more
securely than could the shackle wrought for a felon. An impression
from it may have saved or lost a kingdom. It is made the symbol of
power; and has been a mark of slavery. Love has placed it where a
vein was supposed to vibrate in the heart. Affection and friendship
have wrought it into a remembrance; and it has passed into the grave
upon the finger of the beloved one.
And, though the ring itself may be stranger to us, and might never
have belonged to ancestor, friend or companion, yet there can be even
a general interest about such a slight article. For instance, a few
years ago a ring was found which had belonged to Shakspeare, and must
have been a gift: for the true-lover’s knot is there. Who would not
desire to possess, who would not like even to see the relic? There
is reason to suppose that this ring was the gift of Anne Hathaway,
she “who had as much virtue as could die.” And we must be allowed to
indulge in the idea that it was pressing Shakspeare’s finger when
those lines were inscribed “_To the idol of mine eyes and the delight
of my heart, Anne Hathaway_:”
“Talk not of gems, the orient list,
The diamond, topaz, amethyst,
The emerald mild, the ruby gay:
Talk of my gem, Anne Hathaway!
She _hath a way_, with her bright eye,
Their various lustre to defy,
The jewel she, and the foil they,
So sweet to look Anne _hath a way_.
She _hath a way_,
Anne Hathaway,
To shame bright gems Anne _hath a way_!”[1]
We shall find many interesting stories connected with rings. By way
of illustration, here is one:
Public-domain text, read in full here on John Shaqi.
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