The History and Practice of the Art of Photography — John Shaqi
The History and Practice of the Art of PhotographySnelling, Henry Hunt
History
The History and Practice of the Art of Photography
Snelling, Henry Hunt
Daguerreotype; Photography
To English authors I am principally indebted for that portion of my
work relating to Photogenic drawing on paper. To them we owe nearly
all the most important improvements in that branch of the art.
Besides, it has been but seldom attempted in the United States, and
then without any decided success. Of these attempts I shall speak
further in the Historical portion of this volume.
Every thing essential, therefore, to a complete knowledge of the whole
art, comprising all the most recent discoveries and improvements down
to the day of publication will be found herein laid down.
CONTENTS
I. A BRIEF HISTORY OF THE ART.
II. THE THEORY ON LIGHT.--THE PHOTOGRAPHIC PRINCIPLE
III. SYNOPSIS OF MR. HUNT'S TREATISE ON "THE INFLUENCE OF THE
SOLAR RAYS ON COMPOUND BODIES, WITH ESPECIAL REFERENCE TO
THEIR PHOTOGRAPHIC APPLICATION."
IV. A FEW HINTS AND SUGGESTIONS TO DAGUERREOTYPISTS.
V. DAGUERREOTYPE APPARATUS.
VI. THE DAGUERREOTYPE PROCESS.
VII. PAPER DAGUERREOTYPES.--ETCHING DAGUERREOTYPES.
VIII. PHOTOGENIC DRAWING ON PAPER.
IX. CALOTYPE AND CHRYSOTYPE.
X. CYANOTYPE--ENERGIATYPE--CHROMATYPE--ANTHOTYPE--AMPHITYPE
AND "CRAYON DAGUERREOTYPE."
XI. ON THE PROBABILITY OF PRODUCING COLORED PICTURES BY THE SOLAR
RADIATIONS--PHOTOGRAPHIC DEVIATIONS--LUNAR PICTURES--DRUMMOND
LIGHT.
XII. ON COLORING DAGUERREOTYPES.
XIII. THE PHOTOGRAPHOMETER.
INDEX.
INTRODUCTION
New York, January 27, 1849.
E. ANTHONY, ESQ.
Dear Sir,--In submitting the accompanying "History and Practice of
Photography" to your perusal, and for your approbation, I do so with
the utmost confidence in your ability as a practical man, long engaged
in the science of which it treats, as well as your knowledge of the
sciences generally; as well as your regard for candor. To you,
therefore, I leave the decision whether or no I have accomplished my
purpose, and produced a work which may not only be of practical benefit
to the Daguerrean artist, but of general interest to the reading
public, and your decision will influence me in offering it for, or
withholding it from, publication.
If it meets your approbation, I would most respectfully ask permission
to dedicate it to you, subscribing myself,
With esteem,
Ever truly yours,
HENRY H. SNELLING
New York, February 1st, 1849.
Mr. H. H. SNELLING.
Dear Sir--Your note of January 27th, requesting permission to dedicate
to me your "History and Practice of Photography," I esteem a high
compliment, particularly since I have read the manuscript of your work.
Public-domain text, read in full here on John Shaqi.
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