The History and Practice of the Art of PhotographySnelling, Henry Hunt
History
The History and Practice of the Art of Photography
Snelling, Henry Hunt
Daguerreotype; Photography
For the truth of his statement, Mr. Wattles refers to some of our most
respectable citizens residing at the west, and I am in hopes that I
shall be enabled to receive in time for this publication, a
confirmation from one or more of these gentlemen. Be that as it may, I
feel confident in the integrity of Mr. Wattles, and can give his
statement to the world without a doubt of its truth.
The following sketch of his experiments and their results will,
undoubtedly, be interesting to every American reader and although some
of the profound philosophers of Europe may smile at his method of
proceeding, it will in some measure show the innate genius of American
minds, and prove that we are not far behind our trans-atlantic brethren
in the arts and sciences.
Mr. Wattles says: "In my first efforts to effect the desired object,
they were feeble indeed, and owing to my limited knowledge of
chemistry--wholly acquired by questioning my teachers--I met with
repeated failures but following them up with a determined spirit, I at
last produced, what I thought very fair samples--but to proceed to my
experiments."
"I first dipped a quarter sheet of thin white writing paper in a weak
solution of caustic (as I then called it) and dried it in an empty box,
to keep it in the dark; when dry, I placed it in the camera and watched
it with great patience for nearly half an hour, without producing any
visible result; evidently from the solution being to weak. I then
soaked the same piece of paper in a solution of common potash, and then
again in caustic water a little stronger than the first, and when dry
placed it in the camera. In about forty-five minutes I plainly
percieved the effect, in the gradual darkening of various parts of the
view, which was the old stone fort in the rear of the school garden,
with the trees, fence, &c. I then became convinced of the
practicability of producing beautiful solar pictures in this way; but,
alas! my picture vanished and with it, all--no not all--my hopes. With
renewed determination I began again by studying the nature of the
preparation, and came to the conclusion, that if I could destroy the
part not acted upon by the light without injuring that which was so
acted upon, I could save my pictures. I then made a strong solution of
sal. soda I had in the house, and soaked my paper in it, and then
washed it off in hot water, which perfectly fixed the view upon the
paper. This paper was very poor with thick spots, more absorbent than
other parts, and consequently made dark shades in the picture where
they should not have been; but it was enough to convince me that I had
succeeded, and that at some future time, when I had the means and a
more extensive knowledge of chemistry, I could apply myself to it
again. I have done so since, at various times, with perfect success;
but in every instance laboring under adverse circumstances."
Public-domain text, read in full here on John Shaqi.
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