“In the first Russian version the protocols were supposed to have been brought to Russia in French. According to the German version, the protocols were copied, consequently they were in German, but the most important thing is that the protocols are not protocols at all, but a monograph—which could be called ‘the dream of a member of the Black Hundreds.’” A distinguished Russian publicist says of the sponsor of the “protocols” as follows: “In Russia the problems of Christianity and Judaism have been studied by such men as Vladimir Solovyov, Professor Troitzky, Professor Kokovtsev, Kartashov, Bulgakov, Berdyayev—men of profound intellect and a living conscience. In them the counterfeit ravings of the ignorant monk (Nilus) evoked but a smile of contempt. The low level of the circles in which men like Nilus moved and worked is only too well known. It was the world of police denunciations, divorce perjuries, monastic servility and feigned, blasphemous piety. In order to attract attention, Nilus’s ‘Protocols of the Wise Men of Zion’ had to emigrate from Russia. And the further away they went, the better they fared.” CHAPTER TWO THE STORY FROM WHICH THE PROTOCOLS WERE FABRICATED Essence of “Protocols” Was German Fiction of “Sir John Retcliffe”—Who Was “Retcliffe”?—His Infamous Record—His Bloodcurdling Story—The Meeting in the Cemetery—An Avowed Myth—Meeting Every Hundred Years Attended by “Representatives of the Twelve Tribes of Israel”—The “Son of the Accursed” Also Attends and Provides Comic Interludes. The query now naturally arises, what is the origin of these much heralded “Protocols” which were published in Russia by Sergius Nilus in 1905, and a copy of which, it is triumphantly announced, is now in the British Museum? The anti-Jewish propagandists everywhere content themselves with the “history” of the origin of the “Protocols” as given by the “Russian mystic” Sergius Nilus. But fortunately “murder will out,” and the criminals who perpetrated the stupendous forgery for the purpose of slandering the Jews have left behind clues that enable one to visualize the very process that they pursued in the perpetration of their crime. In 1866-1870 there appeared in Berlin a series of novels entitled “Biarritz—Rome” purporting to have been written by “Sir John Retcliffe,” the pseudonym of Herman Goedsche, a German novelist with an unsavory past. To conceal his identity and to convey the impression that the antisemitism with which his writings abounded emanated from English sources, he selected “Sir John Retcliffe” as his pen-name.