The History of Ancient America, Anterior to the Time of Columbus: Proving the Identity of the Aborigines with the Tyrians and Israelites; and the Introduction of Christianity into the Western Hemisphere By The Apostle St. ThomasJones, George
History
The History of Ancient America, Anterior to the Time of Columbus: Proving the Identity of the Aborigines with the Tyrians and Israelites; and the Introduction of Christianity into the Western Hemisphere By The Apostle St. Thomas
Jones, George
America -- Antiquities; America -- Discovery and exploration -- Phoenician; Indians -- Origin
Even the horizontal and curved lines of Architecture have their
especial records; for they state the time in the history of the Arts,
when they were erected, even without a sculptured cipher;--for the
level lines of the Cyclopean and Egyptian walls, with their attendant
apertures, give certain knowledge that they were erected _before_ the
principle of the Grecian _arch_ was known or practised.
Sculpture has a more harmonious voice than that of her stern
consort;--the graceful bride, whose rock-ribbed cradle amid the Parian
hills--whose virgin youth reposed upon the halcyon marble of
Pentelicus, has a voice of warm, yet chaste simplicity,--her tones are
as sweet, as from lips first nourished on Hymettus' Hill; yet at times
they speak with all the solemnity of her consort, around whom she
fondly clings, as the ivy around the oak; and like that plant and
tree, the sculpture-vine preserves for ages the character of the
marble monarch of the Arts, even after his broad-spreading authority
has been broken and humbled to the earth by Time and Desolation; or
these two destroying powers may be viewed as the Regan and the
Goneril, while Architecture is the Lear, and Sculpture the Cordelia of
the Arts!
Even as a note of music struck from a chord of Nature vibrates to the
heart, in like manner does the voice of Sculpture reach and echo
around the walls of Life: it is Poetry's diapason--it speaks of God
and His works--of Man in his intellect and glory--of Woman in her
charity and beauty: it speaks a language which the unlettered may
translate, while to her more subdued or secret tones, the disciples of
her heavenly power have but to listen, or behold _her action of
utterance_, as developed in her free or drapered limbs, to give the
history of her thoughts; nor have those thoughts or attitudes, chaste
as the marble they inhabit, ever been conquered by lust or
luxury,--that unworthy conquest was reserved for the false disciples
of her faith, yet not over herself, but her fair handmaid--Painting.
But Architecture and Sculpture have lived on--severe and chaste, stern
and graceful, majestic and beautiful--as when they were first created
from the Eden of the mind! No sword of wrath has driven them forth to
wander as outcasts; but as Messengers of Peace they have visited every
clime; they have raised their temples and cities in every land,
subjected to one power only--the insatiate monster of the earth,
Time--the twin-born with Creation, and who will be the last mourner of
Nature and her name! Yet even when their children have been struck
down--like Niobe's, by the shafts of fate--still how beautiful in
Ruins! Although prostrate upon the earth, yet even in death, they have
voices as speaking from the tomb:--but the Parents still live on, ever
young and immortal, and can point to the proud remains of their fallen
Children, and with the voice of historic truth proclaim their fadeless
epitaph and character.
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