Sculpture is a title not only applicable to statuary, but to every kind of architectural stone-ornament, and in every stage towards its completion--from the rough-quarried block to the polished marbles of the frieze and pediment: this being admitted, how vast and almost unlimited is the field for historic contemplation! The Antiquary when he removes the trodden earth from the mouldering tomb to trace the deeds of heroes: or from an antique Gem or Medal, raises to light from beneath the dark dust of ages, the bold outline of an imperial head: or, when within the lava-coloured city, a hidden statue from beneath the veil of centuries bursts upon his bewildered sight, he still remembers that Sculpture was the creative power. The traveller who pauses in silent wonder as he views the Egyptian Pyramids (blocks of stone raised to perpetuate a nameless king), turns with redoubled pleasure to contemplate the sculptured marble of Tentyra--in the sight of whose shrines the followers of Napoleon felt amply repaid "for the dangers they had passed." Although the Assyrian Kings have for ages been covered with the sands of their desert, and the wandering Arab sleeps unmolested in the shade of Palmyra's columns, unconscious of his mighty mansion, yet her temples and porticoes speak loudly for the living truth of historic marble. Greece!--the wonder of the classic age,--the key-stone in the arch of intellect,--owes her glory to Marathon and Salamis, but her living name breathes from the Sculpture of the Acropolis. The proportion given by Ictinus to the body of the Parthenon is fast falling to decay, while the sculptured mantle of Phidias which adorns it adds regality to splendour, and every stone that falls produces but another graceful fold to the gorgeous drapery! Sculpture still preserves Syracuse amid the wreck of time, as when Marcellus wept tears of joy at beholding his mighty conquest: it still points out Carthage, the fatherland of Hannibal, as when Marius upon a prostrate column mourned her desolation. Mysterious Pæstum has no other monument, for her deeds have perished with her records. From Istria to Dalmatia may be traced the historic progress of the art,--the gate of the Sergii, Theatre of Pola, and the Palace of Dioclesian, whose columned wall is mirrored in the Adriatic, all bear convincing testimony. And for ancient Rome!--it is her living history! The Statorian columns of the Forum, lifting high their leafy brows, proclaim the spot where Romulus checked the bold advance of the Sabine Tatius: the solitary shaft of Corinthian form and grace, gives fame to Phocas: the Ionic columns of Concordia's Temple, proudly point the place where Cicero impeached the blood-stained Catiline; while the triumvirate columns of the Tonans-Jupiter preserve the imperial name that witnessed THE REDEEMER'S Birth! The arch of Titus (where the Composite first shone forth) heralds the Conquest of Jerusalem,--its sculpture, a Jewish