The History of Antiquity, Vol. 2 (of 6)Duncker, Max
History
The History of Antiquity, Vol. 2 (of 6)
Duncker, Max
History, Ancient
The first inference is untenable, because the whole narrative bears the
colour and stamp of the East in such distinctness that Ctesias cannot
have invented it, and, on the other hand, it contains so much poetry
that if Ctesias were the author of these descriptions we should have to
credit him with high poetic gifts. We are, therefore, driven to adopt
the second inference--that a poetic source lies at the base of his
account. If, as was proved above, neither Assyrian nor Babylonian
traditions can be taken into consideration, Assyrian and Babylonian
poems are by the same reasoning put out of the question. On the other
hand, we find in Ctesias' history of the Medes episodes of at least
equal poetic power with his narrative of Ninus and Semiramis. Plutarch
tells us that the great deeds of Semiramis were praised in songs.[21] It
is certain that they could not be the songs of Assyria, which had long
since passed away, but we find, on the other hand, that there were
minstrels at the court of the Medes, who sang to the kings at the
banquet; it is, moreover, a Mede who warns Semiramis against Hyapates
and Hydaspes; and the other names in the narrative of Ctesias bear the
stamp of the Iranian language. Further, we find, not only in the
fragments of Ctesias which have come down to us, but also in the
narratives of Herodotus and other Greeks concerning the fortunes of the
Medes and Persians down to the great war of Xerxes against the Hellenes,
remains and traces of poems which can only have been sung amongst the
Medes and Persians. We have, therefore, good grounds for assuming that
it was Medo-Persian poems which could tell the story of Ninus and
Semiramis, and that this part of the Medo-Persian poems was the source
from which Ctesias drew. It was the contents of these poems recounted to
him by Persians or Medes which he no doubt followed in this case, as in
his further narratives of Parsondes and Sparethra, of the rebellion and
struggle of Cyrus against Astyages, just as Herodotus before him drew
from such poems his account of the rebellion of the Magi, the death of
Cambyses, and the conspiracy of the seven Persians.
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