The History of Chivalry; Or, Knighthood and Its Times, Volume 1 (of 2)Mills, Charles
Philosophy
The History of Chivalry; Or, Knighthood and Its Times, Volume 1 (of 2)
Mills, Charles
Chivalry
The monks and knights lived in friendly communion, the prior of the
convent regulating the spiritual concerns, and a grand master, chosen by
the cavaliers, leading the soldiers. They were taken under the protection
of the papal see, on their professing the vows of chastity, poverty, and
obedience; but afterwards Pope Alexander the Third sank the ascendancy of
the monastic portion of their character, for he permitted an oath of
connubial fidelity to be substituted for that of chastity. A descent of
two degrees of gentle birth was required for admission into the order of
Saint James, and the Christian blood must have been uncontaminated with
any Jewish or Moorish mixture.
[Sidenote: Its objects.]
The guarding of the passages to the shrine of Saint James from the
incursions of the Moors became extended into a general defence of the
kingdom against the hostilities of those enemies of the Christian name;
and in time their active military operations far exceeded their defensive
wars in consequence and splendour. The simple object of their association
being forgotten, their glories became associated with the earliest
struggles of the Christians for the repossession of their inheritance; and
they pretended to trace their line up to the ninth century, when Saint
James himself, riding on a white horse, and bearing a banner marked with a
red cross in his hand, assisted them to discomfit the Moors. A cross,
finished like the blade of a sword, and the hilt crossleted, became the
ensign of the order, and the order was then appropriately called _La
Orden de Santiago de la Espada_. The centre of the crosslet was ornamented
with an escalop-shell, the badge of Saint James; and nothing can more
strongly mark the popularity of his shrine in the middle ages than the
fact of the escalop-shell being the usual designation of an European
palmer. The cross was worn on a white cross mantle, and was painted red,
agreeably, as it might seem, to that on the banner already alluded to. But
Don Rodrigo Ximines, an archbishop of Toledo, who dealt in allegories,
observed the reason to be that the sword was red with the blood of the
Arabs, and that the faith of the knights was burning with charity.
Public-domain text, read in full here on John Shaqi.
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