The History of Chivalry; Or, Knighthood and Its Times, Volume 2 (of 2)Mills, Charles
Philosophy
The History of Chivalry; Or, Knighthood and Its Times, Volume 2 (of 2)
Mills, Charles
Chivalry
Henry displayed his joy at the birth of his son, Prince Arthur, by a
solemn tournament. The court removed from Richmond to Westminster. The
King himself determined to tourney, and he selected four knights to aid
him. He styled himself "Cure Loial," the Lord William Earl of Devonshire
was called "Bon Voloire," Sir Thomas Knevet, "Bon Espoir," and Sir Edward
Nevill chose for his tourneying name "Valiant Desire." These four noble
spirits were called "Les quatre chevaliers de la forrest Salvigne." Their
names were written upon a goodly table, which was suspended from a tree,
curiously wrought, the knights engaging to run at the tilt against all
comers. Accordingly, by the prescribed time, a court in the palace was
prepared for the games, and the Queen and her ladies were conducted to a
gallery richly hung inside with cloth of gold, and on the outside with
cloth of arras. A pageant preceded the sports of chivalry. It is
described as representing a forest, with rocks, hills, and vales, with
trees, herbs, and flowers, made of green velvet, damask and silk. Six men
clad as foresters stood at different parts; and in the midst of the forest
was a castle apparently made of gold, and before the gate sat a gentleman
splendidly apparelled, weaving a garland of roses for the prize. The
spectators imagined that the pageant was drawn into the court by a lion
and an antelope, who were led by men in the guise of savages. When the
pageant rested before the Queen, the foresters blew their horns, and from
different parts of the forest the four knights issued armed at all points
and mounted on their war-steeds. Each knight carried his lance, a plume of
feathers surmounted his crest, and his name was embroidered on the bases
of gold which covered his horse. At the moment of these knights starting
from the forest, and the court resounding with the noise of drums and
trumpets, the Earl of Essex, the Lord Thomas Howard, and many other
nobles, entered the court, and then the jousts commenced. But who deserved
best that day the historian has not mentioned. The next afternoon the
Queen repaired to her gallery; and instead of the King and his aids being
introduced in a pageant, they entered the court under splendid pavilions
of cloths of gold and velvet. On the other side of the lists Sir Charles
Brandon entered in the guise of a recluse or religious person, his horse
being also caparisoned in the simplest form. No drum or other sound of
minstrelsy ushered his approach; but he slowly and silently advanced to
the Queen, and presented to her a writing, whose effect was, that if she
pleased he would tourney in her presence, but if it suited her not, he
would depart as he came. The Queen smiled and bowed assent; and Sir
Charles, retiring to one end of the lists, threw aside the disguise of his
splendid armour. The young Henry Guilford, enclosed in a device or a
pageant made like a castle or turret, then approached the Queen, and
obtained her leave to engage in the tilt.
Public-domain text, read in full here on John Shaqi.
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