Homer, as I have mentioned, tells us that the seat of Juno’s car was
slung upon cords, to lessen the vibration and jolting attendant upon a
car without springs or braces; and it is certain that the Roman Emperors
were not better off for comfort and ease than Juno was, unless we except
one sort of carriage which is described as borne on long poles, fixed to
the axles. Now a certain amount of spring can be obtained from the
centre of a long light pole. The Neapolitan Calesso, the Norwegian
Carriole, and the Yarmouth Cart, were all made with a view to obtaining
ease by suspension on poles between bearings placed far apart. In these
the seat is placed midway between the two wheels and the horse, on very
long shafts, which are thus made into wooden springs. In the old Roman
carriages the weight was carried between the front and hind axles, on
long poles or wooden springs. The under-carriage of the later
four-wheeled vehicles used by the Romans was, in all probability, the
same as is in use in the present day, both in this country and on the
Continent, and in America, for the under-carriages of agricultural
waggons. There is a work on the subject of ancient carriages which was
published at Munich in 1817; it was prepared by John Christian von
Ginzrot, who was an inspector in the office of the Master of the Horse
of the King of Bavaria. A few copies of this work exist still, but only
in the German language, and not easily accessible to the public. This
author gives the Greek and Latin names for the pole, perch, wheel-plate,
and other technical terms of carriages so fully as to leave no doubt
that coach-building was well understood by the Romans. He also gives a
plan of a four-wheeled dray [Plate 4], used by the Romans for conveying
casks of wine, which is identical with the drays used now in Vienna and
Munich. If his authorities be sound, we may be satisfied that the art of
coachbuilding, as far as the under-carriage works, and the making of
agricultural waggons, was as forward in the days of the Cæsars of Rome
as it is to this day in central Germany.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account