The tracts and plays of succeeding years found purchasers or spectators
because they reproduced Sommers in his jests, gait, dress, and manners.
Rowland has him in his ‘Good and Bad News;’ Rowley, in his chronicle
play, ‘When you see me you know me;’ and Nash, in his ‘Summers’ Last
Will and Testament.’ From these sources, no indifferent idea may
be gained of the once famous Will. The incidents of Rowland’s poem
are to be found in Rowley’s play. The latter, printed in 1605, is a
chronicle play, including the years 1537–1546, the last year being
the one before Henry’s death. It abounds with anachronisms, but also
with illustrations of the manner in which Sommers lived at court, how
he joked with the King, capped rhymes with their Majesties, and was
sometimes anything but decent in his jokes. At his first appearance,
Will enters the presence “at Whitehall,” booted and spurred, upon which
the following dialogue takes place:--
“_K._ Why, where hast thou been?
_W._ Marry, I rise early, and ride post to London, to know what news
was here at Court.
_K._ Was that your nearest way, William?
_W._ Oh, ay, the very foot-path, but yet I rid the horse-way to hear
it. I warrant there is ne’er a Cundid-head keeper in London, but knows
what is done in all the courts in Christendom.
_Wols._ And what is the best news there, William?
_W._ Good news for you, my Lord Cardinal, for one of the old women
water-bearers told me for certain, that last Friday, all the bells
in Rome rang backward; there was a thousand dirges sung; six hundred
Ave-Marias said; every man washed his face in holy water; the people
crossing and blessing themselves to send them a new Pope, for the old
is gone to purgatory.... The news,” adds Will, “after leaving Rome last
Friday, was at Billingsgate by Saturday morning; ’twas a full moon, and
came up in a spring-tide.”
Queen Jane is represented as looking “bigger” upon the jester; “But I
care not,” says Will to the King, “an she bring thee a young prince,
Will Sommers mayhaps be his fool when you two are both dead and
rotten.” “Do you hear, wenches?” he subsequently says to the maids of
honour, likely to be anxious to announce the issue of the event alluded
to. “She that brings the first tidings, however it fall out, let her be
sure to say that the child’s like the father, or else she shall have no
reward.”
Public-domain text, read in full here on John Shaqi.
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