Will is described as extravagantly free, not only to the maids of
honour, but to the King’s sister. Patch, in this piece, is not the
King’s fool, but Wolsey’s. “All the fools follow you, my lord,” he
says to the Cardinal, when the latter observes the two fools near him:
“I come to bid my cousin Patch welcome to court; and when I come to
York House, he’ll do as much for me.” To which Patch, who seems here a
natural rather then an artificial fool, replies, “Yes, cousin; hey, da,
darry, diddel, day, day.” Will’s attempts to make the King merry are
sometimes roughly recompensed. “He gave me such a box on the ear,” says
the fool, “that strake me clean through three chambers, down four pair
of stairs. I fell over five barrels in the bottom of the cellar, and
if I had not well liquored myself there, I had never lived after it.”
Patch, too, declares that the King had almost killed him “_with his
countenance_.” This sort of fool’s flattery has been very acceptable,
it may be observed, to all despotic princes, from Augustus down to
the Czar Nicholas. The most amusing of Roman historians tells us that
Augustus was always well pleased with those persons who, in addressing
him, looked upon the ground, as though there were a divine splendour
in his eyes, too dazzling for them to gaze upon. “Gaudiebatque,” says
Suetonius, “si quis sibi acrius contuenti, quasi ad fulgorem solis,
vultum submitteret.” His eyes nevertheless grew dim as he grew old,
when the lustre of the left one, in particular, went out in a most
ungodlike fashion.
Public-domain text, read in full here on John Shaqi.
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