'What's 'at yo're sayin?' he asked hastily; ''at yo couldno help it,
not _whativer_--that i' truth yo had nothin to do wi't, no
moor than mysel--that yo wor _forcit_ to it--willy-nilly--by
them devils o' Parliament foak--by Mr. Pym and his loike, wi whom,
if God-amighty ha' not reckoned since, theer's no moor justice i'
His Kingdom than yo found i' yours?'
The words came out with a rush, tumbling over one another till they
suddenly broke off in a loud key of indignant scorn. Then 'Lias
fell silent a moment, and slowly shook his head over the inveterate
shuffling of the House of Stuart.
''Twinna do, man--'twinna do,' he said at last, with an air of
fine reproof. 'He wor your _friend_, wor that poor sinner
Strafford--your awn familiar friend, as t' Psalm says. I'm not
takin up a brief for him, t' Lord knows! He wor but meetin his
deserts, to _my_ thinkin, when his yed went loupin. But yo put
a black mark agen _yore_ name when yo signed that bit paper
for your awn skin's sake. Naw, naw, man, yo should ha lost your awn
yed a bit sooner fust. Eh, it wor base--it wor cooardly!'
'Lias's voice dropped, and he fell muttering to himself
indistinctly. David, bending over him, could not make out whether
it was Charles or his interlocutor speaking, and began to be afraid
that the old man's performance was over before it had well begun.
But on the contrary, 'Lias emerged with fresh energy from the gulf
of inarticulate argument in which his poor wits seemed to have lost
themselves awhile.
'But I'm no blamin yo awthegither,' he cried, raising himself, with
a protesting wave of the hand. 'Theer's naw mak o' mischief i' this
world, but t' _women_ are at t' bottom o't. Whar's that proud
foo of a wife o' yourn? Send her here, man; send her here! 'Lias
Dawson ull mak her hear reason! Now, Davy!'
And the old man drew the lad to him with one hand, while he raised
a finger softly with the other.
'Just study her, Davy, my lad,' he said in an undertone, which
swelled louder as his excitement grew, 'theer she stan's, by t' side
o' t' King. She's a gay good-lookin female, that I'll confess to,
but study her; look at her curls, Davy, an her paint, an her
nakedness. For shame, madam! Goo hide that neck o' yourn, goo hide
it, I say! An her faldaddles, an her jewles, an her ribbons. Is
that a woman--a French hizzy like that--to get a King out o'
trooble, wha's awready lost aw t' wits he wor born wi?'
And with sparkling eyes and outstretched arm 'Lias pointed sternly
into vacancy. Thrilled with involuntary awe the boy and girl looked
round them. For, in spite of herself, Louie had come closer, little
by little, and was now sitting cross-legged in front of 'Lias. Then
Louie's shrill voice broke in--
'Tell us what she's got on!' And the girl leant eagerly forward,
her magnificent eyes kindling into interest.
Public-domain text, read in full here on John Shaqi.
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