Uncle Reuben, startled from his snooze by this apparition, looked
at it with a sleepy bewilderment, and fumbled for his spectacles.
'Ay, yo'd better luke at her close,' said Hannah, grimly, giving
her niece a violent shake as she spoke; 'I wor set yo should just
see her fur yance at her antics. Yo say soomtimes I'm hard on her.
Well, I'd ask ony pusson aloive if they'd put up wi this soart o'
thing--dressin up like a bad hizzy that waaks t' streets, wi
three candles--_three_, I tell yo, Reuben--flarin away, and the
curtains close to, an nothink but the Lord's mussy keepin 'em from
catchin. An she peacockin an gallivantin away enough to mak a cat
laugh!'
And Aunt Hannah in her enraged scorn even undertook a grotesque and
mincing imitation of the peacocking aforesaid. 'Let goo!' muttered
Louie between her shut teeth, and with a wild strength she at last
flung off her aunt and sprang for the door. But Hannah was too
quick for her and put her back against it. 'No--yo'll not goo till
your ooncle there's gien yo a word. He _shan't_ say I'm hard
on yo for nothink, yo good-for-nowt little powsement--he shall see
yo as yo are!'
And with the bitterness of a smouldering grievance, expressed in
every feature, Hannah looked peremptorily at her husband. He, poor
man, was much perplexed. The hour of devotion was past, and outside
it he was not accustomed to be placed in important situations.
'Louie--didn't yo know yo wor a bad gell to stay up and burn t'
candles, an fret your aunt?' he said with a feeble solemnity, his
look fixed on the huddled white figure against the mahogany press.
Louie stood with eyes resolutely cast down, and a forced smile,
tremulous, but insolent to a degree, slowly lifting up the corners
of her mouth as Uncle Reuben addressed her. The tears were still
running off her face, but she meant her smile to convey the
indomitable scorn for her tormentors which not even Aunt Hannah
could shake out of her.
Hannah Grieve was exasperated by the child's expression.
'Yo little sloot!' she said, seizing her by the arm again, and
losing her temper for good and all, 'yo've got your mither's bad
blude in yo--an it ull coom out, happen what may!'
'Hannah!' exclaimed Reuben, 'Hannah--mind yoursel.'
'My mither's _dead_,' said the child, slowly raising her dark,
burning eyes. 'My mither worn't bad; an if yo say she wor, yo're a
_beast_ for sayin it! I wish it wor yo wor dead, an my mither
wor here instead o' yo!'
To convey the concentrated rage of this speech is impossible. It
seemed to Hannah that the child had the evil eye. Even she quailed
under it.
'Go 'long wi yo,' she said grimly, in a white heat, while she
opened the door--'an the less yo coom into _my_ way for t'
future, the better.'
She pushed the child out and shut the door.
'Yo _are_ hard on her, Hannah!' exclaimed Reuben, in his
perplexity--pricked, too, as usual in his conscience.
The repetition of this parrot-cry, as it seemed to her, maddened
his wife.
Public-domain text, read in full here on John Shaqi.
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