'Aren't you glad, Dora?' she said presently, when she had gathered
strength again. 'I thought you'd be glad. You've always wanted me to
turn religious. And--and--perhaps, when I get well and come back,
I'll go with you to St. Damian's, Dora. I don't know what it is. I
suppose it's caring about somebody--and being ill--makes one feel
like this.'
And, drawing herself from Dora's hold, she turned on her side, put
both her thin hands under her cheek, and lay staring at the window
with a look which had a certain dreariness in it.
Dora at last raised herself. Lucy could not see her face. There was
in it a sweet and solemn resolution--a new light and calm.
'Dear Lucy,' she said, tremulously, laying her cheek against her
cousin's shoulder, 'God speaks to us when we are unhappy--that was
what you felt. He makes everything a voice to call unto Himself.'
Lucy did not answer at once. Then suddenly she turned, and said
eagerly:
'Dora, did you ever ask him--did you ever find out--whether he was
thinking about getting married? You said you would.'
'He isn't, Lucy. He was vexed with father for speaking about it. I
think he feels he must make his way first. His business takes him
up altogether.'
Lucy gave an irritable sigh, closed her eyes, and would talk no
more. Dora stayed with her, and nursed her through the evening.
When at last the nurse arrived who was to take charge of her
through the night, Lucy pulled Dora down to her and said, in a
hoarse, excitable whisper:
'_Mind_ you tell him--that I nearly died--that father'll
never be the same to me again--and it was all for him! You needn't
say _I_ said so.'
Late that night Dora stood long at her attic-window in the roof
looking out at the April night. From a great bank of clouds to the
east the moon was just appearing, sending her light along the windy
streamers which, issuing from the main mass, spread like wide open
fingers across the inner heaven. Opposite there was an old timbered
house, one of the few relics of an earlier Manchester, which still,
in the very centre of the modern city, thrusts out its broad eaves
and overhanging stories beyond the line of the street. Above and
behind it, roof beyond roof, to the western limit of sight, rose
block after block of warehouses, vast black masses, symbols of the
great town, its labours and its wealth; far to the right, closing
the street, the cathedral cut the moonlit sky; and close at hand
was an old inn, with a wide archway, under which a huge dog lay
sleeping.
Public-domain text, read in full here on John Shaqi.
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