The History of Duelling. Vol. 1 (of 2)Millingen, J. G. (John Gideon)
Philosophy
The History of Duelling. Vol. 1 (of 2)
Millingen, J. G. (John Gideon)
Dueling
“His reign, like that of most conquerors, was equally divided between
repeated successes and failures. His arms were triumphant so long as
he fought to obtain the natural limits of France, which to this day
enjoys the fruits of his conquests; but Fortune forsook his banners as
soon as he drew his sword to level the Pyrenees. His reign commenced
in glory, and terminated in humiliation; the prestige of authority
took wing with that of victory. When the _Grand Monarque_ died, the
monarchy may be said to have descended into its sepulchre, and the
people, who had once trembled in his presence, insulted his ashes;
while the parliament, into whose halls he was wont to enter booted and
spurred, avenged themselves by trampling on his will. It was, in truth,
the protection he afforded to literature, and the patronage with which
he honoured distinguished men and letters, that acquired for him the
surname of GREAT. The Mæcenas of his age, he was entitled to
the distinction; and it has been truly said of him that France owed to
him her knowledge of literature, as Asia owed her acquaintance with
Grecian superiority to Alexander.”
The efforts of Louis to civilize the country, and encourage science
and the fine arts, were indefatigable; and what is still more
estimable in this monarch was, his attending to the improvement of the
nation during the turmoil of war. He established the most extensive
manufactures; formed the East India Company; built an observatory,
and a printing-office in his palace for the publication of the best
translations of ancient writers; sent out navigators on voyages of
discovery; and, while he received at his court Cassini, Huygens, and
the most distinguished foreigners who could adorn it, he encouraged
native genius with liberality. He personally defended Boileau,
Racine, and Molière against their enemies, provided for the family
of Corneille, directed the _studio_ of Le Brun and his contemporary
artists, while he attached Lulli to his court, and gave Quinault the
subjects of his operas; pensions too were granted to all those who had
contributed by their courage or their talents to the grandeur of the
empire. He felt and knew that no sovereign can become popular unless
national genius and talent meet with encouragement at court; and that,
thus fostered, national taste will improve more rapidly than by the
degrading importation of foreign perfections. The greatest error of
this prince was his neglect of the future, while engrossed by the
glorious schemes of the present; and his never thinking on the means
that his successor might require to replenish the exhausted exchequer.
His ambition had been to revive the Augustan age: his position, in
reality, was not unlike that of the Roman Emperor; Cæsar had become
the master of the empire, and Henry IV. had consolidated his kingdom.
Both princes ascended the throne surrounded by a warlike people that
required civilization, and Colbert was to Louis what Mæcenas had been
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