A CENTURY OF RECOVERY AND RECONSTRUCTION. The work done by these two friends in discovering and editing was taken up by others, and during the century (1333-1433) dating from the first great "find" of Petrarch the principal additions to Latin literature were made. The monasteries and castles of Europe were ransacked in the hope of discovering something new, or more accurate copies of previously known books. At monasteries and churches as widely separated as Monte Cassino, near Naples: Lodi, near Milan; Milan, itself; and Vercelli, in Italy: Saint Gall and other monasteries, in Switzerland: Paris; Cluny, near the present city of Macon; Langres, near the source of the Marne; and monasteries in the Vosges Mountains, in France: Corvey, in Westphalia; and Hersfeld, Cologne, and Mainz in Germany--important finds were made. [6] Thus widely had the old Latin authors been scattered, copied, and forgotten. In a letter to a friend (R. 127 a) the enthusiast, Poggio Bracciolini, tells of finding (1416) the long-lost _Institutes of Oratory_ of Quintilian, at Saint Gall, and of copying it for posterity. This, and the reply of his friend (R. 127 b), reveal something of the spirit and the emotions of those engaged in the recovery of Latin literature and the reconstruction of Roman history. The finds, though, while important, were after all of less value than the spirit which directed the search, or the careful work which was done in collecting, comparing, questioning, inferring, criticizing, and editing corrected texts, and reconstructing old Roman life and history. [7] We have in this new work a complete break with scholastic methods, and we see in it the awakening of the modern scientific spirit. [8] It was this same critical, constructive spirit which, when applied later to Christian practices, brought on the Reformation; when applied to the problems of the universe, revealed to men the wonderful world of science; and when applied to problems of government, led to the questioning of the theory of the divine right of kings, and to the evolution of democracy. We have here a modern spirit, a craving for truth for its own sake, an awakening of the historical sense, [9] and an appreciation of beauty in literature and nature which was soon to be followed by an appreciation of beauty in art. A worship of classical literature and classical ideas now set in, of which rich and prosperous Florence became the center, with Venice and Rome, as well as a number of the northern Italian cities, as centers of more than minor importance.