The History of Education: Educational Practice and Progress Considered as a Phase of the Development and Spread of Western CivilizationCubberley, Ellwood Patterson
History
The History of Education: Educational Practice and Progress Considered as a Phase of the Development and Spread of Western Civilization
Cubberley, Ellwood Patterson
Education -- History
THE PALAESTRA; GYMNASTICS. Very unlike our modern education, fully one
half of a boy's school life, from eight to sixteen, was given to sports
and games in another school under different teachers, known as the
palaestra. The work began gradually, but by fifteen had taken precedence
over other studies. As in music, harmonious physical development and moral
ends were held to be of fundamental importance. The standards of success
were far from our modern standards. To win the game was of little
significance; the important thing was to do the part gracefully and, for
the person concerned, well. To attain to a graceful and dignified carriage
of the body, good physical health, perfect control of the temper, and to
develop quickness of perception, self-possession, ease, and skill in the
games were the aims--not mere strength or athletic prowess (R. 2). Only a
few were allowed to train for participation in the Olympian games.
The work began with children's games, contests in running, and ball games
of various kinds. Deportment--how to get up, walk, sit, and how to achieve
easy manners--was taught by the masters. After the pupils came to be a
little older there was a definite course of study, which included, in
succession: (1) leaping and jumping, for general bodily and lung
development; (2) running contests, for agility and endurance; (3) throwing
the discus, [19] for arm exercise; (4) casting the javelin, for bodily
poise and coördination of movement, as well as for future use in hunting;
(5) boxing and wrestling, for quickness, agility, endurance, and the
control of the temper and passions. Swimming and dancing were also
included for all, dancing being a slow and graceful movement of the body
to music, to develop grace of motion and beauty of form, and to exercise
the whole human being, body and soul. The minuet and some of our folk-
dancing are our nearest approach to the Greek type of dancing, though
still not like it. The modern partner dance was unknown in ancient Greece.
The exercises were performed in classes, or in small groups. They took
place in the open air, and on a dirt or sandy floor. They were accompanied
by music--usually the flute, played by a paid performer. A number of
teachers looked after the boys, examining them physically, supervising the
exercises, directing the work, and giving various forms of instruction.
Public-domain text, read in full here on John Shaqi.
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