The history of fashion in France : $b or, the dress of women from the Gallo-Roman period to the present timeChallamel, Augustin
History
The history of fashion in France : $b or, the dress of women from the Gallo-Roman period to the present time
Challamel, Augustin
Clothing and dress -- France -- History
Restoration 1830]
CHAPTER XXII.
REIGNS OF LOUIS XVIII. AND CHARLES X.
1815 TO 1830.
Importation of foreign fashions in 1815—White dresses,
white feathers, and fleurs de lys—Emigrant ladies—Russian
toques—Male and female dressmakers—Ruchings—Short sleeves
and long gloves—Herbault’s bonnets—“Chefs”—Anglomania in
1815—Green gauze veils; spencers—The “canezou”—Lacroix, the
stay-maker—Dr. Pelletan and Charles X.—Wasps—The “Ourika”
fashions—The famous leg-of-mutton sleeves—Fashions “à
l’Ipsiboé,” “au Trocadéro,” and “à la Dame Blanche”—Blonde caps
and turbans—Head-dresses—Fashions “à la giraffe;” “the last
sigh of Jocko”—Female book-keepers; shopwomen—The Café des
Mille-Colonnes.
The lamentable presence of the allied armies in our capital induced us to
adopt some fashions from abroad. Our countrywomen copied certain details
of dress from the Germans, the Poles, the Russians, and the English. They
professed to “find good in everything,” quite forgetting the claims of
patriotism.
The noble ladies who returned from emigration in 1815 could not reconcile
themselves to the fashions of new France, and the shape of gowns and hats
became almost an affair of state. The Legitimists, when once they had
recrossed the frontier, endeavoured to repudiate whatever could remind
them, nearly or remotely, of the Republic and the Empire.
The fashions of 1815 were, generally speaking, influenced by the changes
effected by the Restoration in France. The white flag floated from the
dome of the Tuileries, and there was a passion for white gowns; while
feathers of the same hue waved on the heads of women, in honour, no
doubt, of the heroic white plumes that Henri IV. “bore along the path of
honour.” More than one great lady at the court of Louis XVIII. trimmed
the edge of her skirt with a wreath of lilies, while she altered but
little the shape of her gown, which remained as short waisted as under
Napoleon I. In the early part of January, 1816, a wealthy foreigner
appeared at the opera wearing a Russian toque. She created quite a
sensation; and the next day a first-rate milliner of the Rue Vivienne had
reproduced the head-dress, which soon afterwards was universally worn.
There was a general craving for splendid dress. Enthusiastic Royalists
gathered round Louis XVIII. and the Comte d’Artois, and thronged the
apartments of the Tuileries. Nothing was thought of in the Faubourg St.
Germain but balls, concerts, and entertainments. A great revival took
place in trade, and served as the general excuse for extravagance.
In a very short time Paris possessed four renowned ladies’ tailors,
thirteen milliners in large practice, seven noted florists, three
favourite stay-makers, eight famous dressmakers, and eight excellent
ladies’ shoemakers.
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