The history of fashion in France : $b or, the dress of women from the Gallo-Roman period to the present timeChallamel, Augustin
History
The history of fashion in France : $b or, the dress of women from the Gallo-Roman period to the present time
Challamel, Augustin
Clothing and dress -- France -- History
But it would be a great mistake to imagine that baths were taken during
the Carlovingian period in splendidly decorated halls like those of the
Romans; statues, paintings, and mosaics were alike absent.
The thermæ of Julian on the left bank of the Seine, of which the ruins
remain to this day in the Hôtel de Cluny on the Boulevards St. Michel and
St. Germain, included gardens, porticoes, nay, even an immense palace, in
which many kings and queens of the earliest race took up their abode, and
in all probability made use of its baths. Childebert, for instance, set
up his court there with Ultrogothe and his daughters.
But with these exceptions no Merovingian or Carlovingian king has
possessed baths of such size. It is almost certain that the great lords
and ladies built no large bathing establishments in connexion with their
private dwellings; on the other hand, their toilet apparatus, plate,
brushes, fine towels, and other articles were often of very great value.
The bath itself was of wood, marble, or stone.
The public baths served as a place of meeting, where the news of the day
might be ascertained, and business and pleasure discussed.
[Illustration]
[Illustration: CAPETIAN COSTUMES Second half of the 10th Century
CAPETIAN COSTUMES 11th Century]
CHAPTER IV.
THE CARLOVINGIAN PERIOD.
987 TO 1270.
Earliest times of the Carlovingian period—Variety of
costume in the provinces—Fashions in the Duchy of
France—French taste dating from the eleventh century—Luxury
increases with each generation—The dominical—The
“bliaud”—Canes of apple-wood—Women in the twelfth
century—Head-dresses—“Afiche”—Serpent-tails—Pelisses—The
thirteenth century—“Grèves” and veils are in fashion—The
“couvre-chef” in the fourteenth century—The skirt, or
“cotte-hardie,” surcoat, or overall, or over-skirt, cape,
trained skirt, and “gauzape”—Accessories—Emblazoned
gowns—Various kinds of stuffs.
By degrees, according as the nation acquired unity, and France was
in process of self-construction, dress became more original and more
special. The remembrance of the Roman occupation and the influences of
the barbaric invasion were visibly fading away. Gallo-Roman, Frankish,
and German women no longer dwelt on the soil of our country, their
place was taken by Frenchwomen of feudal times and of the middle ages,
whose nationality became every day more decided. These were our real
ancestresses, who neither in their dress nor in their homes were content
to follow the fashions of antiquity.
Public-domain text, read in full here on John Shaqi.
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