The history of fashion in France : $b or, the dress of women from the Gallo-Roman period to the present timeChallamel, Augustin
History
The history of fashion in France : $b or, the dress of women from the Gallo-Roman period to the present time
Challamel, Augustin
Clothing and dress -- France -- History
During the whole of the Middle Ages fair hair alone was considered
beautiful. On this point the French and the ancient Greeks were of one
mind. Homer has described the fair hair of Aphrodite, Hera, and Pallas
Athene; in like manner our ancient poets describe their heroines as
blonde beauties, and they invented the word “blondoyer,” to become, or
to grow fair-haired. This fashion must have led to the manufacture of
enormous quantities of false hair.
[Illustration]
[Illustration: Charles VIII 1483 to 1498
Louis XII 1498 to 1515]
CHAPTER VIII.
REIGNS OF LOUIS XI., CHARLES VIII., AND LOUIS XII.
1461 TO 1515.
Duchesses and bourgeoises under Louis XI.—“La grand’gorre,”
or sumptuosity—The “troussoire”—Allegorical and moral
costumes—Trains—Head-dresses—“Collets rebrassés”—Wigs
and false hair—Some results of the war in Italy—Italian
fashions—“Sollerets” and slippers—Gorgets—Garters—Jean Marot
writes against novelties—Anne of Brittany—Pins—Menot “the
golden-tongued”—A Parisian in the time of Louis XII.—Coat à
l’Italienne—Manufacture of stuffs.
The Empire of Fashion was scarcely founded, ere it began to promulgate
those despotic laws which have never been relaxed to the present day.
The spread of luxury, art, and comfort, which became manifest at the dawn
of the Renaissance, led to a sudden change in the whole character of
costume. This fact has been commented on by all historians; and can be
verified and explained by the archives of the period.
Although for the most part Louis XI. affected a great simplicity in
his dress, and was fond of playing the “bourgeois,” yet at times he
desired to see his palace filled with nobles richly attired, and wearing
magnificent stuffs, even of foreign manufacture. The astute sovereign
appreciated the influence of fashion on commercial prosperity.
Then commenced a competition in dress between the bourgeoisie of the
towns and the nobility; as says the poet,—
“En Paris, y en a beaucoup
Qui n’ont d’argent, vergier, ne terre,
Que vous jugeriez chascun coup
Alliés aux grands chefs de guerre.
Ils se disent issus d’Angleterre,
D’un comte, d’un baron d’Anjou,
Parents aux sénéchaux d’Auxerre,
Ou aux châtelains du Poitou,
Combien qu’ils soient saillis d’un trou,
De la cliquette d’un meunier,
Voire ou de la lignée d’un chou,
Enfans à quelque jardinier ...
Une simple huissière, ou clergesse
Aujourd’hui se présumera
Autant et plus qu’une duchesse;
Heureux est qui en finira!
Une simple bourgeoise aura
Rubis, diamans et joyaux,
Et Dieu sait si elle parlera
Gravement en termes nouveaux!”[10]...
Public-domain text, read in full here on John Shaqi.
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