The history of fashion in France : $b or, the dress of women from the Gallo-Roman period to the present timeChallamel, Augustin
History
The history of fashion in France : $b or, the dress of women from the Gallo-Roman period to the present time
Challamel, Augustin
Clothing and dress -- France -- History
The ladies of the court, fortunately, were not such thorough courtiers
as to overpass all the bounds of decorum. They adopted the fashion of
cushions, which remaining fixed behind, while the hoop swayed, gave size
and roundness to the hips, but they did not imitate the king’s gentlemen
in wearing the “panse,” or paunch, an absurd invention, which gave the
male wearer a likeness to Punch, and was the exact opposite of the “buste
ajusté.” The “buste” flattened the figure, while the “panse,” consisting
of a quantity of cotton wool, formed an enormous Pantagruelian stomach,
and imparted a truly grotesque appearance to those who wore it. This
absurd fashion was of short duration; men found it cumbrous, and perhaps
became ashamed of the ridicule it excited.
If my fair readers will look at a painting at the Louvre, by Clouet,
otherwise Janet, _circa_ 1584, they will feel flattered; for they will
perceive that the palm of absurdity and singularity belonged of right at
that time to the sterner sex.
[Illustration]
[Illustration: Henry IV 1590
Louis XIII 1614]
CHAPTER XIV.
REIGNS OF HENRI IV. AND LOUIS XIII.
1589 TO 1643.
Universal mourning on the death of the Guises; intolerance
of showy dress—Vertugadins, “espoitrement,” “corps
espagnolé”—Diversity of colours—The pearls, jewels,
and diamonds belonging to Gabrielle d’Estrées and
to the queen—Dress of Marguerite de France—Low-cut
bodices—Head-dresses of hair—Various styles—Venetian
slippers—Edicts of Louis XII.—Caricatures: “Pompe funèbre de
la Mode”—Words and fashions—Ribbons or “galants”—Dress of
widows—“Demi-ceint” girdles—Gloves of all sorts—Patches—Masks;
their use—“Cache-laid”—The Frondeuses—Mme. de Longueville.
There is no difficulty in ascertaining the relation between the events of
a certain period and the fashions of the same date.
It may be that if the spirit of the age be serious, if the social
community be exposed to severe trials, if continual misfortunes befall
the mass of the people, the mode of dress will reflect those vicissitudes
of the time; and, generally speaking, such is the case. Sometimes, on the
contrary, extravagance and luxury seem to be flaunted in the very face of
the general poverty, and the small prosperous minority are so profoundly
indifferent to the misfortunes of the greater part of mankind, that they
make not the slightest change in their mode of living, but indulge in
every whim and caprice, and continue to bend the knee before the “fickle
goddess.”
Public-domain text, read in full here on John Shaqi.
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