The History of Ink, Including Its Etymology, Chemistry, and BibliographyDavids, Thaddeus
History
The History of Ink, Including Its Etymology, Chemistry, and Bibliography
Davids, Thaddeus
Ink
_Nor shall huckleberries stain [literally, VEIL] thee with purple juice:
That color is not becoming to lamentations.
Nor shall title (or “head-letter”) be marked with vermilion, or paper
with cedar,
Thou shalt carry neither white nor black horns on thy forehead (or
front, or frontispiece)._
The word “huckleberries,” we have rightly spelled here. The
dictionaries generally are wrong in spelling the word
“whortleberry.” Huckleberry, or Hockleberry, is found in the kindred
languages of Northern Europe.
Diplomas were seldom written in gold or colored inks; but some charters
of the German Emperors are known, not only in gold, but on purple
vellum; and Leukfeld mentions one of the year 912, ornamented also with
figures; while several early English charters have gold initial letters,
crosses, &c. The black ink that has kept its color best, in mediaeval
manuscripts, is that used from the tenth to the thirteenth century. The
signatures of the Eastern Emperors are frequently in red ink.
Colored inks were common in mediaeval manuscripts,—the red being most
usual for titles, which has given rise to the term _Rubric_. The writers
of books (that is, the copyists,) often appended their names to the end
of the work, generally in ink of a different color from that of the body
of the work, stating the time and place in which the work was executed.
To this may be added, with advantage, some instructive account of
WRITING INSTRUMENTS,
whose history is closely connected, to a great extent, with that of
writing FLUIDS.
The Egyptian, and all other oriental and ancient scribes, who wrote upon
stone, employed (of course) some instrument similar in character to the
chisel of our modern tomb-stone cutters, or monument letterers. So with
the Greeks and Romans, writing on surfaces of wax or wood, the
instruments were the graphium, or glypheion, (the graver,) and the
stilus, or caelum, all of steel or iron. When the use of a dark-colored
liquid or _Ink_ was introduced, there arose a necessity for instruments
of very different material, and great flexibility, in opposition to the
unyielding rigidity of the tools previously employed. Then were invented
the first implements properly called Pens, or really resembling what we
so denominate and use. These were universally made of vegetable
material, growing in the tubular form, of convenient size, as the
_calamus_, _arundo_, _juncus_, and, in general terms, the smaller stems
of various plants called “reeds” and “rushes” in English. We have
already mentioned the uniform employment of the hair-pencil, or brush,
by the Chinese, from the most ancient time of their writing. The quill,
or feather-pen, was introduced during the fourth century.
Public-domain text, read in full here on John Shaqi.
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