The Sylvans wake: they explain that it is yet too early for the gates to
open. Meantime let them sing and dance to while away the time. One of
them sings therefore. After the song they fall into an 'antick dance
full of gesture and swift motion' and thus continue till the crowing of
a cock gives the signal for the whole palace to open. It is like a
transformation scene at a pantomime. There is the palace with all its
occupants--the 'whole nation of Fays' or Fairies. Some are playing
instruments of music; some are singing: some are bearing lights: at the
back of the stage sit the 'Knights masquers.' With them Oberon in his
chariot. And then, drawn by two white bears, guarded by three Sylvans on
each side, the chariot moves down the stage. Observe that to produce all
these effects the stage must have been very deep. The song they sing is
in praise of the King:
Melt earth to sea, sea flow to air,
And air fly into fire,
Whilst we in tunes to Arthur's chair
Bear Oberon's desire:
Than which there's nothing can be higher
Save James to whom it flies:
But he the wonder is of tongues and ears and eyes--
The Satyrs leap and dance again for joy at so splendid a sight.
Then Silenus speaks in praise of Prince Oberon, who is, of course,
Prince Henry, the elder son of James, who died young. The flattery is no
worse than was usual in Masques. Silenus says that the Prince--
Stays the time from turning old,
And keeps the age up in a head of gold.
He makes it ever day and ever spring
When he doth shine, and quickens everything.
Then two Fays sing a song and all the Fays together dance, after which
all together sing. Then Oberon and his knights dance. Another song
follows. Then they all together dance 'measures, corantos, and
galliards,' till Phosphorus the day star appears and calls them away--
To rest! To rest! The herald of the day,
Bright Phosphorus commands you hence. Obey.
They quickly dance their last dance, one by one getting into the Palace.
Then the Star vanishes, the day breaks, and while the last song is sung
the 'machine closes'--i.e. the Palace becomes a wall of the room and the
show is over. This is the pretty song which ends the Masque:
O yet how early and before her time,
The envious morning up doth climb,
Though she not love her bed!
What haste the jealous sun doth make
His fiery horses up to take
And once more show his head!
Lest, taken with the brightness of this night,
The world should wish it last and never miss his light.
49. PLAYS AND PAGEANTS.
PART IV.
Public-domain text, read in full here on John Shaqi.
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