Through the Religious Drama, the Pageant, the Masque, we work our way to the Play itself. The first beginnings of the modern Drama must here be passed over: there were the rough and unformed comedies such as 'Gammer Gurton's Needle,' performed in a college hall: or the tragedy played on boards spread over a waggon in the courtyard of an inn. Let us suppose that we are past the beginnings and are in Shakespeare's time--i.e. the end of Queen Elizabeth and the whole reign of James I. The first theatre was built in 1570. Thirty years after there were seven. The Queen had companies of children to play before her. They were the boys of the choirs of St. Paul's, Westminster, Whitehall, and Windsor. The actors called themselves the servants of some great lord. Lord Leicester, Lord Warwick, Lord Pembroke, Lord Howard, the Earl of Essex, and others all had their company of actors--not all at the same time. The principal Houses were those at Southwark, and especially at Bank Side, where there were three, including the famous Globe: the Blackfriars Playhouse: the Fortune in Golden Lane, and the Curtain at Shoreditch. If you will look at the map you will observe that not one of these theatres is within the City--that at Blackfriars was in the former precinct of the Dominicans and outside the City. No theatre was allowed in the City. Thus early sprang up the prejudice against actors. Probably this was of old standing, and first belonged to the time when the minstrel and the tumbler, the musician and the dancing girl, the buffoon and the contortionist, wandered about the country free of rule and discipline, leading careless and lawless lives.