The history of magic : $b including a clear and precise exposition of its procedure, its rites and its mysteriesLévi, Éliphas
Religion
The history of magic : $b including a clear and precise exposition of its procedure, its rites and its mysteries
Lévi, Éliphas
Magic -- History
The doctrine of Plato was epoch-making in the history of human genius,
but it was not his own invention, for, realising that there is no truth
apart from religion, he went to consult the priests of Memphis and
to obtain initiation into their Mysteries. He is even credited with
a knowledge of the Jewish sacred books.[88] In Egypt, however, his
initiation could have been imperfect only, for the priests by that time
had forgotten themselves the import of their primeval hieroglyphics,
as is indicated by the history of that priest who spent three days in
deciphering a hieratic inscription found in the tomb of Alcmene and
sent by Agesilaus, King of Sparta. Cornuphis, who was doubtless the
most learned among the hierophants, consulted the old collections of
signs and characters; in the end he found that the inscription was
in the script of _proteus_, being the Grecian name of the _Book of
Thoth_, consisting of movable hieroglyphics, capable of variations as
numerous as there are possible combinations of characters, numbers and
elementary figures. But the _Book of Thoth_, being the key of oracles
and the elementary work on science, should not have involved such
long research before its signs were identified, if Cornuphis had been
really proficient in the Sacerdotal Art. Another proof that primeval
truths were obscured at this period is the fact that the oracles which
registered their protest on the subject were in a style that was
understood no longer.
After his return from Egypt, Plato was journeying with Simmias on
the confines of Caria when he was met by some men of Delos, who
begged him to interpret an oracle of Apollo. It declared that to
make an end of the woes in Greece the cubic stone must be doubled.
The attempt had been made with a stone kept in the temple of Apollo;
but the work of doubling it on every side resulted in a polyhedron
having twenty-five surfaces; to restore the cubic form they had to
increase it twenty-six times the original volume of the stone, by a
process of successive doubling. Plato sent back the emissaries to the
mathematician Eudoxus,[89] saying that the oracle had counselled the
study of geometry. Whether he did not himself understand the deep sense
of the symbol or disdained to unveil it to the ignorant are points
which must be left to conjecture; but that which is certain is that
the cubic stone and its multiplication explains all secrets of sacred
numbers, including the mystery of perpetual motion, hidden by adepts
and pursued by fools under the name of squaring the circle.[90] By this
cubic agglomeration of twenty-six cubes about a single central cube,
the oracle indicated to the Delians not only the elements of geometry
but the key of creative harmonies, explained by the inter-relation
of forms and numbers. The plan of all great allegorical temples
throughout antiquity is found in the multiplication (_a_) of the cube
by the cross, (_b_) about which a circle is described, and then (_c_)
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