The history of magic : $b including a clear and precise exposition of its procedure, its rites and its mysteriesLévi, Éliphas
Religion
The history of magic : $b including a clear and precise exposition of its procedure, its rites and its mysteries
Lévi, Éliphas
Magic -- History
Such visionary epidemics recurred in the reigns following, and all the
power of Charlemagne was put in action to calm the public agitation.
An edict, afterwards renewed by Louis the Pious, forbade sylphs to
manifest under the heaviest penalties. It will be understood that in
the absence of the aerial beings the judgment fell upon those who made
a boast of having seen them, and hence they ceased to be seen. The
ships in air sailed back to the port of oblivion, and no one claimed
any longer to have journeyed through the blue distance. Other popular
frenzies replaced the previous mania, while the romantic splendours of
the great reign of Charlemagne furnished the makers of legends with new
prodigies to believe and new marvels to relate.
CHAPTER IV
LEGENDS OF THE REIGN OF CHARLEMAGNE
Charlemagne is the real prince of enchantments and the world of faerie;
his reign is like a solemn and brilliant pause between barbarism and
the middle ages; while he himself is a grand and majestic apparition,
recalling the magical pageant of Solomon’s sway: he is at once a
resurrection and a prophecy. In him the Roman empire, overleaping
Frankish and Gaulish origins, reappeared in all its splendour; in
him also, as in a symbol, evoked and manifested by divination, there
is delineated beforehand the perfect empire of the ages of mature
civilisation, the empire crowned by priesthood and establishing its
throne beside the altar.
The era of chivalry and the marvellous epos of romances begin with
Charlemagne; the chronicles of his period are like the _Four Sons of
Aymon_, or _Oberon, King of Faerie_. Birds utter speech and direct the
French army when the path has been lost in the forest; brazen colossi
appear in mid-ocean and indicate to the emperor a free way eastward.
Roland, first of the paladins, wields a magic sword, baptized like
any Christian and bearing the name of Durandal; the hero addresses
this sword, which seems to understand him, and nothing can resist
its supernatural onset. Roland has also an ivory horn, contrived so
skilfully that the lightest breath wakens a response within it, and
that answer is heard for twenty leagues around, causing even mountains
to quiver. When the paladin falls at Roncesvalles, overwhelmed rather
than conquered, even then he uprises like a giant beneath some
avalanche of trees and rolling rocks; he winds his horn, and the
Saracens take refuge in flight. Charlemagne, at a distance of more than
ten leagues, hears the signal and would speed to his aid, but he is
prevented by the traitor Ganelon, who has sold the French army to the
barbaric horde. Finding himself abandoned, Roland for the last time
embraces his Durandal, and then, summoning all his strength, strikes
it with both hands against a mountain block, hoping to shatter the
weapon, lest it fall into the hands of infidels; but the block itself
is cloven, the sword is not even indented. Hereat Roland clasps it to
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