The history of magic : $b including a clear and precise exposition of its procedure, its rites and its mysteriesLévi, Éliphas
Religion
The history of magic : $b including a clear and precise exposition of its procedure, its rites and its mysteries
Lévi, Éliphas
Magic -- History
his breast and yields up his spirit with so high and proud a mien that
the Saracens do not dare to approach, but, still shaking, direct a
cloud of arrows against their conqueror, who is no more. To be brief,
Charlemagne, bestowing a throne upon the papacy and receiving from its
hands the empire of the world in return, is the most imposing of all
personalities in French history.
We have spoken of the _Enchiridion_—that minute work which combines the
most secret symbols of the Kabalah with the most beautiful Christian
prayers. Occult tradition[168] attributes its composition to Leo III
and affirms that it was presented by this pontiff to Charlemagne, as
the most precious of all offerings. Any king who owned it and knew how
to use it worthily could become master of the world. This tradition is
not perhaps to be cast aside lightly.
It assumes (1) the existence of a primitive and universal revelation,
explaining all Secrets of Nature and harmonising them with the
Mysteries of Grace, conciliating reason with faith, since both are
daughters of God and concur to illuminate intelligence by their double
life. (2) The necessity—which imposes itself—of concealing this
revelation from the multitude, lest the same be abused by those who
do not understand it, and lest they turn against faith not only the
power of reason but that of faith itself, to the confusion of reason,
which is never too well within the comprehension of the vulgar. (3)
The existence of a secret tradition, reserving the knowledge of these
mysteries for the sovereign priesthood and the temporal masters of the
world. (4) The perpetuity of certain signs or pantacles, expressing the
said mysteries in a hieroglyphical manner which is understood only by
adepts.[169]
Public-domain text, read in full here on John Shaqi.
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