The _Enchiridion_, from this point of view, should be regarded as a collection of allegorical prayers and its secret Kabalistic pantacles are keys thereto. Some of the chief figures may be described as follows. The first, which appears on the cover of the work itself, represents a reversed equilateral triangle inscribed within a double circle. The two words, which are written within the triangle in the form of a cross, are _Elohim_ and _Tzabaoth_, meaning the God of armies, the equilibrium of natural forces and the harmony of numbers.[170] On the three sides of the triangle are the three great names—_Jehovah_, _Adonai_, _Agla_; above the name of Jehovah is the Latin word _Formatio_; above that of Adonai is _Reformatio_; and above Agla is _Transformatio_. Thus creation is ascribed to the Father, redemption or reform to the Son and sanctification or transmutation to the Holy Spirit—in consonance with the mathematical laws of action, reaction and equilibrium. Furthermore, Jehovah is to be understood as the genesis and formation of dogma in accordance with the elementary significance of the four letters comprised in the sacred Tetragram; _Adonai_ is the realisation of this dogma in human form, that is to say, in the Lord manifest, who is Son of God or perfect man[171]; and _Agla_, as we have explained fully elsewhere, expresses the synthesis of all dogma and all Kabalistic science, seeing that the hieroglyphics of which this name is formed exhibit in a clear manner the triple secret of the Great Work.[172]