The history of magic : $b including a clear and precise exposition of its procedure, its rites and its mysteriesLévi, Éliphas
Religion
The history of magic : $b including a clear and precise exposition of its procedure, its rites and its mysteries
Lévi, Éliphas
Magic -- History
What is known of the anti-pope’s character lends colour to an
accusation of the kind; he was daring in the presence of the weak,
grovelling in that of the strong, debauched and intriguing, devoid of
faith and morals, seeing nothing in religion but an engine of impunity
and rapine. For such a person, the Christian virtues were obstacles and
faith in the clergy was a difficulty which had to be overcome; he would
therefore make priests after his own heart, or capable, that is to say,
of all crimes and sacrileges. Now, this would seem to have been the
purpose in chief of the Grimoire called that of Honorius.
The work in question is not without importance for those who are
curious in the science. It appears at first sight to be a mere tissue
of revolting absurdities,[225] but for those who are initiated in the
signs and secrets of the Kabalah, it is literally a monument of human
perversity, for the devil appears therein as an instrument of power.
To utilise human credulity and to turn the bugbear which dominates it
to the account of the adept and his caprices—such is the secret of
the work. It aspires to make darkness darker before the eyes of the
multitude by usurping the torch of science, which at need, and in bold
hands, may become that of butchers and incendiaries. To identify faith
with servitude, reserving power and liberty for oneself, is indeed to
imagine the reign of Satan on earth, and it should not be surprising if
the authors of such a conspiracy against public good sense and religion
should hope to manifest and, in a sense, to incarnate on earth the
fantastic sovereign of the evil empire.
The doctrine of this Grimoire is the same as that of Simon and the
majority of the Gnostics: it is the substitution[226] of the passive
for the active principle. A pantacle which forms a frontispiece to the
work gives expression to this doctrine, being passion as predominant
over reason, sensualism deified and the woman in priority to the man, a
tendency which recurs in all antichristian mystic systems. The crescent
moon of Isis occupies the centre of the figure and it is encompassed
by three triangles, one within another. The triangle is surmounted
by a _crux ansata_ with double cross-bar. It is inscribed within a
circle and within the space formed by the three segments of the circle
there is on one side the sign of the spirit and the Kabalistic seal of
Solomon, on the others the magic knife and the initial letter of the
binary, below a reversed cross forming the figure of the lingam, and
the name of God אל= AL, also reversed. About the circle is written:
“Obey your superiors and be subject unto them, for they will see that
you do.”[227]
Public-domain text, read in full here on John Shaqi.
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