The history of magic : $b including a clear and precise exposition of its procedure, its rites and its mysteries — John Shaqi
The history of magic : $b including a clear and precise exposition of its procedure, its rites and its mysteriesLévi, Éliphas
Religion
The history of magic : $b including a clear and precise exposition of its procedure, its rites and its mysteries
Lévi, Éliphas
Magic -- History
to the mysteries of Druids and their miracles, to the legends of
bards, and it is shewn after what manner these things concurred in the
formation of modern societies, thus preparing a brilliant and permanent
victory for Christianity. The number four expresses Nature and force,
while the letter _Daleth_, which stands for it in the Hebrew alphabet,
is represented in that of the Kabalists by an emperor on his throne.
The fifth book is consecrated to the sacerdotal era of the middle
ages, and we are present at the dissensions and struggles of science,
the formation of secret societies, their unknown achievements, the
secret rites of grimoires, the mysteries of the _Divine Comedy_,
the divisions within the sanctuary which must lead later on to a
glorious unity. The number five is that of the quintessence, religion
and the priesthood; its character is the letter _He_, represented in
the magical alphabet by the symbol of a high priest. The sixth book
exhibits the intervention of Magic in the work of the Revolution.
The number six is that of antagonism and strife in preparation for
universal synthesis, and the corresponding letter is _Vau_, symbol of
the creative _lingam_ and the reaper’s sickle. The seventh book is
synthetic, containing an exposition of modern workings and discoveries,
new theories on light and magnetism, the revelation of the great
Rosicrucian secret, the explanation of mysterious alphabets, the
science of the word and its magical works, in fine, the summary of the
science itself, including an appreciation of what has been accomplished
by contemporaneous mystics. This book is the complement and the crown
of the work, as the septenary is the crown of numbers, uniting the
triangle of idea to the square of form. Its corresponding letter is
_Zain_, and the Kabalistic hieroglyphic is a victor mounted on a
chariot, drawn by two sphinxes.[22]
Public-domain text, read in full here on John Shaqi.
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