On these occasions, Margaret was as punctual to her hour as the sun. On reaching the field she would set her basket down and jump into her father's arms, and kiss his warm forehead, and receive in return a reward, which even in infancy gave her the utmost delight, viz. a seat upon one of the horses' backs, and there she would remain until she was taken off by the same hands which placed her there, and gave her the empty basket to carry home. "May I come in the evening, father?" she used to say, as she looked wistfully round the horizon, to see if any appearance of rain forebode an unfavourable answer; for this request "to come in the evening" contained an imaginative delight, exceeding in its kind the prospect of the fox hunter for a coming run. For Margaret, when she did "come in the evening," used to have the privilege of riding home one of the plough-horses. This was a singular _penchant_ for a female child to imbibe, but with it mingled the pleasure of her father's and brothers' smiles; and this, after a day of toil, seemed to give elasticity to their spirits, and formed an agreeable change to the unvarying monotony of ploughing straight lines, the clinking of chains, and their rural "_wooah come ather, woree, wooo, jeh!_" sounds as unintelligible to some readers as the language of the savages of the Caribbee islands, when first discovered. Sometimes the crack of the whip would make the horses start, and the young men, her brothers, who would try to frighten their sister, found, instead of so doing, that it only increased the pleasure of her ride. At length, she began to trot the leading horse home. After a time, this privilege was extended to riding the farm-horses down to water; and this appears to have been the very summit of Margaret's delight. She used to take her brother's whip in her tiny hand, drive the whole team before her into the water, keep them in order while there, and then drive them out again, up the sandy lane, into the stable-yard. It is well known that at such times it is no easy task to sit a cart-horse; for they will kick, and plunge, and exhibit that rough kind of amusement known by the name of "horse-play," which has as much of shrieking and biting as it has of gambolling in it. In going out to, and coming home from, water, horses accustomed to the heaviest labour, if at all well fed, will exhibit no mean share of this species of spirit; and woe be to the lad without a whip in his hand, or who has not a very steady seat! Gainsborough and Constable were both lovers of the scenery around Ipswich; and many are the sketches in the possession of their Suffolk friends, which speak their admiration of the beautiful landscapes which surround the river Orwell. Had these artists seen Margaret in her equestrian character, they would have immortalized her; for nothing could have been more appropriate to the spirit of their works.