The History of Mary I, Queen of England: as found in the public records, despatches of ambassadors, in original private letters, and other contemporary documentsStone, J. M. (Jean Mary)
History
The History of Mary I, Queen of England: as found in the public records, despatches of ambassadors, in original private letters, and other contemporary documents
Stone, J. M. (Jean Mary)
Great Britain -- History -- Tudors, 1485-1603; Mary I, Queen of England, 1516-1558
“Thereupon there fell to the ground at the extremity of the hall, a
painted canvas from an aperture, in which was seen a most verdant cave
approached by four steps, each side being guarded by four of the chief
gentlemen of the Court, clad in tissue doublets and tall plumes, each
of whom carried a torch. Well grouped, within the cave, were eight
damsels of such rare beauty, as to be supposed goddesses rather than
human beings. They were arrayed in cloth of gold, their hair gathered
into a net, with a very richly jewelled garland surmounted by a velvet
cap, the hanging sleeves of their surcoats being so long, that they
well-nigh touched the ground, and so well and richly wrought as to be
no slight ornament to their beauty. They descended gracefully from
their seats to the sound of trumpets, the first of them being the
Princess, with the Marchioness of Exeter. Her beauty in this array
produced such effect on everybody, that all the other marvellous sights
previously witnessed were forgotten, and they gave themselves up solely
to contemplation of so fair an angel. On her person were so many
precious stones, that their splendour and radiance dazzled the sight,
in such wise as to make one believe that she was decked with all the
gems of the eighth sphere. Dancing thus, they presented themselves to
the King, their dance being very delightful by reason of its variety,
as they formed certain groups and figures most pleasing to the sight.
Their dance being finished, they ranged themselves on one side, and
in like order, the eight youths, leaving their torches, came down from
the cave, and after performing their dances, each of them took by the
hand one of those beautiful nymphs, and having led a courant together,
for a while returned to their places. Six masks then entered. To
detail their costume would be but to repeat the words ‘cloth of gold,’
‘cloth of silver,’ etc. They chose such ladies as they pleased for
their partners, and commenced various dances, which being ended, the
King appeared. The French ambassador, the Marquis of Turrenne (_sic_),
was at his side, and behind him four couples of noblemen all masked,
and all wearing black velvet slippers on their feet, this being done
lest the King should be distinguished from the others, as from the
hurt which he received lately when playing at tennis, he wears a black
velvet slipper. They were all clad in tissue doublets, over which was
a very long and ample gown of black satin, with hoods of the same
material; and on their heads caps of tawney velvet. They then took by
the hand an equal number of ladies, dancing with great glee, and at the
end of the dance unmasked, whereupon, the Princess with her companions
again descended, and came to the King, who in the presence of the
French ambassadors, took off her cap, and the net being displaced,
a profusion of silver tresses, as beautiful as ever seen on human
head, fell over her shoulders, forming a most agreeable sight. The
Public-domain text, read in full here on John Shaqi.
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