The History of Mendelssohn's Oratorio 'Elijah' — John Shaqi
The History of Mendelssohn's Oratorio 'Elijah'Edwards, F. G. (Frederick George)
History
The History of Mendelssohn's Oratorio 'Elijah'
Edwards, F. G. (Frederick George)
Mendelssohn-Bartholdy, Felix, 1809-1847. Elias
In compiling the following pages, I have been favoured in having had
access to much original matter on the subject of "Elijah." Especially
is this the case in regard to the numerous letters from Mendelssohn
and his correspondents which are here made public for the first time.
These letters are not only unique in the information they convey, but
they form the most interesting links in the chain of this "History."
For the rest, I have carefully kept in view the duty of the historian,
which is--I take it--that he should tell his story in as accurate,
straightforward, and pleasant a manner as he can.
I have to acknowledge the kind help of those who have so greatly
facilitated my work. In addition to those specially mentioned in the
course of the book, I tender my best thanks to Mrs. Carson
(granddaughter of the late Mr. Edward Buxton, the former proprietor of
the business of Messrs. Ewer & Co.); Dr. Carl and Dr. Felix
Klingemann; Felix Moscheles, Esq.; William Moore, Esq.; and
especially to Professor Dr. Julius Schubring of Lübeck, for their
kindness in allowing me to publish the correspondence which passed
between Mendelssohn and their respective relatives. Except where it is
otherwise stated, the letters are translated from the German
originals.
Also to Messrs. Longmans, Green & Co., for extracts from
"Mendelssohn's Letters from 1833 to 1847"; to my friends, Mr. Andrew
Deakin, of Birmingham, and Mr. J.S. Shedlock, for their kind
assistance; and in a special degree to Mrs. Victor Benecke
(Mendelssohn's elder daughter), who has very kindly helped me to
obtain permission to publish several letters relating to "Elijah"
which have hitherto been unknown. Mrs. Benecke has also allowed the
portrait of her father, which forms the frontispiece to this book, to
be published. It was taken in 1835, and is here reproduced for the
first time.
Public-domain text, read in full here on John Shaqi.
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