The History of Modern Painting, Volume 2 (of 4): Revised edition continued by the author to the end of the XIX centuryMuther, Richard
History
The History of Modern Painting, Volume 2 (of 4): Revised edition continued by the author to the end of the XIX century
Muther, Richard
Painting -- History
For a young man this would be a very dangerous method. For Corot it was
the only one which allowed him to remain Corot, because in this way no
unnecessary detail disturbed the pure, poetic reverie. He had spent his
whole life in a dallying courtship with nature, ever renewed. As a child
he looked down from his attic window upon the wavering mists of the
Seine; as a schoolboy in Rouen he wandered lost in his own fancies along
the borders of the great river; when he had grown older he went every
year with his sister to a little country-house in Ville d'Avray, which
his father had bought for him in 1817. Here he stood at the open window,
in the depth of the night, when every one was asleep, absorbed in
looking at the sky and listening to the plash of waters and the rustling
of leaves. Here he stayed quite alone. No sound disturbed his reveries,
and unconsciously he drank in the soft, moist air and the delicate
vapour rising from the neighbouring river. Everything was harmoniously
reflected in his quick and eager spirit, and his eyes beheld the
individual trait of nature floating in the universal life. He began not
merely to see nature, but to feel her presence, like that of a beloved
woman, to receive her very breath and to hear the beating of her heart.
One knows the marvellous letter in which he describes the day of a
landscape painter to Jules Dupré: "_On se lève de bonne heure, à trois
heures du matin, avant le soleil; on va s'asseoir au pied d'un arbre, on
regarde et on attend. On ne voit pas grand'chose d'abord. La nature
ressemble à une toile blanchâtre où s'esquissent à peine les profils de
quelques masses: tout est embaumé, tout frisonne au souffle fraîchi de
l'aube. Bing! le soleil s'éclaircit ... le soleil n'a pas encore déchiré
la gaze derrière laquelle se cachent la prairie, le vallon, les collines
de l'horizon.... Les vapeurs nocturnes rampent encore commes des flocons
argentés sur les herbes d'un vert transi. Bing!... Bing!... un premier
rayon de soleil ... un second rayon de soleil.... Les petites fleurettes
semblent s'éveiller joyeuses.... Elles out toutes leur goutte de rosée
qui tremble ... les feuilles frileuses s'agitent au souffle du matin ...
dans la feuillée, les oiseaux invisibles chantent.... Il semble que ce
sont les fleurs qui font la prière. Les Amours à ailes de papillons
s'ébattent sur la prairie et font onduler les hautes herbes.... On ne
voit rien ... tout y est. Le paysage est tout entier derrière la gaze
transparente du brouillard, qui, au reste ... monte ... monte ... aspiré
par le soleil ... et laisse, en se levant, voir la rivière lamée
d'argent, les prés, les arbres, les maisonettes, le lointain fuyant....
On distingue enfin tout ce que l'on divinait d'abord._"
[Illustration: _Baschet._
DUPRÉ. THE OLD OAK.]
Public-domain text, read in full here on John Shaqi.
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