The History of Modern Painting, Volume 2 (of 4): Revised edition continued by the author to the end of the XIX centuryMuther, Richard
History
The History of Modern Painting, Volume 2 (of 4): Revised edition continued by the author to the end of the XIX century
Muther, Richard
Painting -- History
No man ever lived a more orderly, regular, and reasonable life. He was
only spendthrift where others were concerned. No evening passed that he
did not play a rubber of whist with his mother, who died only a little
before him, and was loved by the old man with the devoted tenderness of
a child. From an early age he had the confirmed habits which make the
day long and prevent waste of time. The eight years which he passed in
the linen-drapery establishment of M. Delalain had accustomed him to
punctuality. Every morning he rose very early, and at three minutes to
eight he was in his studio as punctually as he had been in earlier years
at the counter, and went through his daily task without feverish haste
or idleness, humming with that quietude which makes the furthest
progress.
For that reason he had also an aversion to everything passionate in
nature, to everything irregular, sudden, or languid, to the feverish
burst of storm as to the relaxing languor of summer heat. He loved all
that is quiet, symmetrical, and fresh, peaceful and blithe, everything
that is enchanting by its repose: the bright, tender sky, the woods and
meadows tinged with green, the streamlets and the hills, the regular
awakening of spring, the soft, quiet hours of evening twilight, the dewy
laughing morning, the delicate mists which form slowly the over surface
of still waters, the joy of clear, starry nights, when all voices are
silent and every breeze is at rest; and the cheerfulness of his own
spirit is reflected in everything.
[Illustration: DIAZ. A TREE TRUNK.]
Public-domain text, read in full here on John Shaqi.
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