The History of Modern Painting, Volume 2 (of 4): Revised edition continued by the author to the end of the XIX centuryMuther, Richard
History
The History of Modern Painting, Volume 2 (of 4): Revised edition continued by the author to the end of the XIX century
Muther, Richard
Painting -- History
Classical landscape painting in France: Hubert Robert, Henri
Valenciennes, Victor Bertin, Xavier Bidault, Michallon, Jules
Cogniet, Watelet, Théodore Aligny, Edouard Bertin, Paul Flandrin,
Achille Benouville, J. Bellel.--Romanticism and the resort to
national scenery: Victor Hugo, Georges Michel, the Ruysdael of
Montmartre, Charles de la Berge, Camille Roqueplan, Camille Flers,
Louis Cabat, Paul Huet.--The English the first to free themselves
from composition and the tone of the galleries: Turner.--John
Crome, the English Hobbema, and the Norwich school: Cotman, Crome
junior, Stark, Vincent.--The water colour artists: John Robert
Cozens, Girtin, Edridge, Prout, Samuel Owen, Luke Clennel, Howitt,
Robert Hills.--The influence of aquarelles on the English
conception of colour.--John Constable and open-air
painting.--David Cox, William Muller, Peter de Wint, Creswick,
Peter Graham, Henry Dawson, John Linnell.--Richard Parkes
Bonington as the link between England and France 257
CHAPTER XXV
LANDSCAPE FROM 1830
Constable in the Louvre and his influence on the creators of the
French _paysage intime_.--Théodore Rousseau, Corot, Jules Dupré,
Diaz, Daubigny and their followers.--Chintreuil, Jean Desbrosses,
Achard, Français, Harpignies, Émile Breton, and others.--Animal
painting: Carle Vernet, Géricault, R. Brascassat, Troyon, Rosa
Bonheur, Jadin, Eugène Lambert, Palizzi, Auguste Lançon, Charles
Jacque 294
CHAPTER XXVI
JEAN FRANÇOIS MILLET
His importance, and the task left for those who followed
him.--Millet's principle _Le beau c'est le vrai_ had to be
transferred from peasant painting to modern life, from Barbizon to
Paris 360
BOOK IV
THE REALISTIC PAINTERS AND THE MODERN IDEALISTS
CHAPTER XXVII
REALISM IN FRANCE
Gustave Courbet and the modern painting of artisan life.--Alfred
Stevens and the painting of "Society."--His followers Auguste
Toulmouche, James Tissot, and others.--In opposition to the
Cinquecento the study of the old Germans, the Lombards, the
Spaniards, the Flemish artists, and the _Rococo_ masters becomes
now a formative influence.--Gustave Ricard, Charles Chaplin,
Gaillard, Paul Dubois, Carolus Duran, Léon Bonnat, Roybet, Blaise
Desgoffe, Philippe Rousseau, Antoine Vollon, François Bonvin,
Théodule Ribot 391
BIBLIOGRAPHY 435
LIST OF ILLUSTRATIONS
PLATES IN COLOUR
Public-domain text, read in full here on John Shaqi.
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