The History of Modern Painting, Volume 3 (of 4): Revised edition continued by the author to the end of the XIX centuryMuther, Richard
History
The History of Modern Painting, Volume 3 (of 4): Revised edition continued by the author to the end of the XIX century
Muther, Richard
Painting -- History
"It was a cold November morning. Cold it was certainly, but in
compensation the morning vapour was as fine as snow turned into mist.
Yonder in the crowded, populous, sooty quarters of the city, in Paris
busy with trade and industry, this early vapour which settles in the
broad streets is not to be found; the hurry of awakening life, and the
confused movement of country carts, omnibuses, and heavy, rattling
freight-waggons, have scattered, divided, and dispersed it too quickly.
Every passer-by bears it away on his shabby overcoat, on his threadbare
comforter, or disperses it with his baggy gloves. It dribbles down the
shivering blouses and the waterproofs of toiling poverty, it dissolves
before the hot breath of the many who have passed a sleepless or
dissipated night, it is absorbed by the hungry, it penetrates into shops
which have just been opened, into gloomy backyards, and it floats up the
staircases, dripping on the walls and banisters, right up to the frozen
attics. And that is the reason why so little of it remains outside. But
in the spacious and stately quarter of Paris, upon the broad boulevards
planted with trees and the empty quays the mist lay undisturbed, section
over section, like an undulating mass of transparent wool in which one
felt isolated, hidden, almost imbedded in splendour, for the sun rising
lazily on the distant horizon already shed a mild purple glow, and in
this light the mist level with the tops of the houses shone like a piece
of muslin spread over scarlet."
[Illustration: _Cassell & Co._
HEILBUTH. FINE WEATHER.]
Public-domain text, read in full here on John Shaqi.
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