The History of Modern Painting, Volume 3 (of 4): Revised edition continued by the author to the end of the XIX centuryMuther, Richard
History
The History of Modern Painting, Volume 3 (of 4): Revised edition continued by the author to the end of the XIX century
Muther, Richard
Painting -- History
As a painter he was only active in his youth. The achievement of his
life is not his pictures, but a magnificent series of illustrated books,
a life's work richer than that of any of his compatriots. Like Titian
and Corot, fate had predestined him to reach a very great age without
ever growing old.
"From my sixth year," he writes in the preface to one of his books, "I
had a perfect mania for drawing every object that I saw. When I had
reached my fiftieth year I published a vast quantity of drawings; but I
am unsatisfied with all that I have produced before my seventieth year.
At seventy-three I had some understanding of the form and real nature of
birds, fish, and plants. At eighty I hope to have made further progress,
and at ninety to have discovered the ultimate foundation of things. In
my hundredth year I shall rise to yet higher spheres unknown, and in my
hundred and tenth, every stroke, every point, and in short everything
that comes from my hand will be alive." Hokusai certainly did not reach
so great an age as that. He died at eighty-nine, on 13th April 1849, and
is buried in the temple at Yeddo. During the period between 1815 and
1845 he published about eighty great works, altogether over five hundred
volumes.
"I rose from my seat at the window, where I had idled the whole day long
... softly, softly.... Then I was up and away.... I saw the countless
green leaves tremble in the densely embowered tops of the trees; I
watched the flaky clouds in the blue sky, collecting fantastically into
shapes torn and multiform.... I sauntered here and there carelessly,
without aim or volition.... Now I crossed the Bridge of Apes and
listened as the echo repeated the cry of the wild cranes.... Now I was
in the cherry-grove of Owari.... Through the mists shifting along the
coast of Miho I descried the famous pines of Suminoye.... Now I stood
trembling upon the Bridge of Kameji and looked down in astonishment at
the gigantic Fuki plants.... Then the roar of the dizzy waterfall of Ono
resounded in my ear. A shudder ran through me.... It was only a dream
which I dreamed, lying in bed near my window with this book of pictures
by the master as a cushion beneath my head."
[Illustration: KIYONAGA. LADIES BOATING.]
Public-domain text, read in full here on John Shaqi.
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