The History of Modern Painting, Volume 3 (of 4): Revised edition continued by the author to the end of the XIX centuryMuther, Richard
History
The History of Modern Painting, Volume 3 (of 4): Revised edition continued by the author to the end of the XIX century
Muther, Richard
Painting -- History
In these words a learned Japanese has indicated the great range of
subject, the unspeakably rich material of the works of the master. By
preference he leads us to the work-places of artisans, to woodcarvers,
smiths, workers in metal, dyers, weavers, and embroiderers. Then come
the pleasures of the nobility, who are displayed in their refinement,
reserve, and dignity; the country-folk at their daily avocations, or
making merry upon holidays; the fantastic shapes of fabulous animals and
demons, who figure in the life of Japanese national heroes, mighty with
the sword; apparitions, drunken men, wrestlers, street figures of every
conceivable description, mythical reptiles, snow-clad mountain tops,
waving rice-fields lashed by the wind, woodland glens, strange gateways
of rock, far views over waters with cliffs clothed with pine.
The most celebrated of those works which contain landscapes exclusively
are the views, published in three volumes in 1834-36, of the mountain of
Fuji, the great volcano rising close by Yeddo, and from old time playing
a part in the works of Japanese landscape painters. In Hokusai's book
the cone of the mountain is sometimes seen rising clear in a cloudless
sky, whilst it is sometimes shrouded by clouds of various shapes. Its
beautiful outline glimmers through the meshes of a net, through the
spindrift of snow falling in great flakes, or through a curtain of rain
splashing vertically down. It rises from misty valleys coloured by the
rays of the evening sun, or is reflected--itself out of sight--in the
smooth surface of a lake, upon the reedy shores of which the wild geese
cackle, or it stands in ghostly outlines against the night sky flooded
with silver moonlight. Summer breezes and winter storms drive over it,
rattling showers of hail, lashed by the wind, or light falls of snow
descend round it. In spring the blossoms of peach and plum-trees flutter
to the earth, like swarms of white and rosy butterflies. Only famished
wolves or dragons, which popular superstition has located in the
mountain of Fuji, occasionally animate the grandiose solitude of the
landscape.
Public-domain text, read in full here on John Shaqi.
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