The History of Painting in Italy, Vol. 1 (of 6): From the Period of the Revival of the Fine Arts to the End of the Eighteenth CenturyLanzi, Luigi
History
The History of Painting in Italy, Vol. 1 (of 6): From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century
Lanzi, Luigi
Painting -- Italy -- History
From the period of these publications, the Grand Duke, entertaining a
high opinion of Lanzi's judgment, was in the habit of consulting him
before he ventured to add any new specimens to his cabinet of
antiquities. He was also entrusted with a fresh arrangement of some new
cabinets belonging to the gallery, which together with the latter, he
finally completed, on a system which it is said never fails to awaken
the admiration of all scientific visitors at Florence. During this task,
his attention had been particularly directed to the interpretation of
the monuments and Etruscan inscriptions contained in the ducal gallery,
which, together with the ancient Tuscan, the Umbrian, and other obsolete
dialects, soon grew familiar to him, and led to the composition of his
celebrated _Essay upon the Tuscan Tongue_. For the purpose of more
complete research and illustration, he obtained permission from the duke
to visit Rome, in order to consult the museums, and prepare the way for
his essay, which he published there in 1789; a work of immense erudition
and research.
It was here Lanzi first appeared as the most profound antiquarian of
modern Italy, by his successful explanation of some ancient Etruscan
inscriptions and remains of art, which had baffled the skill of a number
of his most distinguished countrymen. Upon presenting it to the grand
duke, after his return from Rome, Lanzi was immediately appointed his
head antiquary and director of the Florentine gallery; while the city of
Gubbio raised him to the rank of their first patrician order, on account
of his successful elucidation of the famous Eugubine Tables. In one of
his _Dissertations upon a small Tuscan Urn_, he triumphantly refuted
some charges which had been invidiously advanced against him, and
defended his principles of antiquarian illustration by retorting the
charge of fallacy upon his adversaries.
In the year 1790, Lanzi, at the request of the Gonfaloniere and priors
of Monte dell'Olino, published an inquiry into the _Condition and Site
of Pausula, an ancient City of Piceno_; said to be written with
surprising ingenuity, yet with equal fairness; uninfluenced by any
prejudices arising from national partiality, or from the nature of the
commission with which he had been honoured. This was speedily followed
by a much more important undertaking, connected with the prosecution of
his great design, which it would appear he had already for some time
entertained.
Public-domain text, read in full here on John Shaqi.
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