The first sight of this performance strikes us with astonishment, and we involuntarily exclaim, how divine and noble the spirit that animates her heavenly form! The group of the men of the party of S. Joseph are equally well conceived. In these figures we see nothing of the stiffness of the drapery, the dryness of execution, and the peculiar style of Pietro, which sometimes approaches to harshness: all is action, and an animating spirit breathes in every gesture and in every countenance. The landscapes are not represented with sterile and impoverished trees, as in the backgrounds of Pietro; but are drawn from nature, and finished with care. The round temple in the summit is ornamented with columns, and executed, Vasari observes, with such admirable art, that it is wonderful to observe the difficulties he has willingly incurred. In the distance are beautiful groups, and there is a figure of a poor man imploring charity depicted to the life, and, more near, a youth, a figure which proves the artist to have been master of the then novel art of foreshortening. I have purposely described these specimens of the early years of Raphael, more particularly than any other writer, in order to acquaint the reader with the rise of his divine talents. In the labours of his more mature years, the various masters whose works he studied may each claim his own; but in his first flight he was exclusively supported by the vigour of his own talents. The bent of his genius, which was not less voluptuous and graceful than it was noble and elevated, led him to that ideal beauty, grace, and expression, which is the most refined and difficult province of painting. To insure success in this department neither study nor art is sufficient. A natural taste for the beautiful, an intellectual faculty of combining the several excellences of many individuals in one perfect whole, a vivid apprehension, and a sort of fervour in seizing the sudden and momentary expressions of passion, a facility of touch, obedient to the conceptions of the imagination; these were the means which nature alone could furnish, and these, as we have seen, he possessed from his earliest years. Whoever ascribes the success of Raffaello to the effects of study, and not to the felicity of his genius, does not justly appreciate the gifts which were lavished on him by nature.[29]