Among his pupils was Alessandro Maganza, son of the same Giambatista whose name I recorded among Titian's followers. Fasolo inspired him with his own taste; and we may likewise consider him a fine imitator of Zelotti and of Paul Veronese; as he has shown in his Epiphany, at San Domenico; and in his Martyrdom of S. Giustina, at San Pietro. In his architecture he was excellent, judicious in his composition, very pleasing in his countenances; in his fleshes inclining towards white; in his folds somewhat hard and monotonous; and for the most part wanting in expression. Vicenza has an abundance of his paintings, both private and in public; besides the provinces and the adjacent cities, to such an amount, that we have no difficulty in believing that he flourished till his seventy-fourth year; that he painted for good prices, and with little trouble. A few of his pictures, such as we meet with at Vicenza, are amply sufficient to give us an idea of the rest; not unfrequently presenting us with the same features and the same attitudes and motions. We are to look for the cause of this, not so much in his genius, which he shows in many of his works to have been excellent, as in his domestic anxieties, occasioned by a numerous family for whom he had to provide. This artist was extremely unfortunate as a father. Giambatista, the eldest of his sons, emulated him in knowledge; and if we may venture to judge from one of his histories, of San Benedetto, at the church of S. Giustina, in Padua, he was superior to him in point of elegance. But the support he derived from this young man's talents was soon cut off by his early death, leaving a young family of his own to the care of their grandfather. His second son, Girolamo, who had also to make provision for his own children, and Marcantonio, quite a youth, afterwards assisted their father in his productions, and already began to acquire some degree of reputation from their own. When, in the year 1630, their native place was ravaged by the plague, Alessandro had the grief to witness the death of his two sons, and, one by one, of the whole of his grandchildren; until left "the last of his race," to lament over the destruction of his kindred, he shortly followed them to the tomb, closing with his death that noble school which the two illustrious Veronese had founded in Vicenza.