Yet it did not altogether perish; but was continued by Maffei, by Carpioni, and by Cittadella, three artists who, compared with the Maganza, sometimes appear to have sprung from the same academy, either from having studied in Vicenza the models they imitated, or because the style, which partakes both of that of Paul and Palma, was then in high repute, as that of Cortona at another period among us. They were all three, like Alessandro himself, rapid in their composition; and were their pictures, even belonging to the city, to be enumerated, they would most likely be found to equal those of all the other foreign or native artists employed there. Francesco Maffei, from Vicenza, had been the pupil of Peranda, some of whose unfinished pieces he completed. He next undertook to imitate Paul Veronese, with a tolerable degree of spirit and learning. His style is on a lofty scale; in so much that Boschini entitles him the great mannerist, extolling him as the painter of giants. Nor is he wanting in a certain grace peculiarly his; which distinguishes him from the mannerists. His picture of St. Anna, at San Michele di Vicenza, besides many works produced at the same place for the public palace, and elsewhere, extremely poetical, full of fine portraits, and coloured in the best Venetian taste, show that he was able to compete with more skilful artists than Carpioni and Cittadella, his contemporaries. And as he, perhaps, did not consider them very formidable rivals, he did not finish his pieces with much care, leaving many of his heads, besides other portions of his figures, incomplete; scanty in his colouring, employing dark grounds, and altogether painting rather for years than for ages. At San Francesco, in Padua, there is a grand picture of his "Paradise," which, owing to this method, has lost almost every trace of colour. This result extinguishes the praise which Boschini bestows upon him, that with four touches of his pencil he could make the observer raise his eyebrows with admiration, and is a very excellent warning, we think, for over expeditious artists. Their pictures may be said, indeed, to resemble certain children, the offspring of unhealthy parents, who sometimes exhibit a florid countenance in youth, accompanied with every other symptom of health, but, declining as they advance, their constitution becomes exhausted in a few years.