Among the pupils of Gian Bellini, who were very numerous, are some who ought to be referred to another epoch, like Giorgione, and to different schools, like Rondinello of Ravenna; several, however, take their place here, who, in the opinion of their national contemporaries, did not fully attain to the possession of the new style. The family of the heads of the school, produced also a Bellin Bellini, who being educated in that academy, very happily imitated its manner. He painted Madonnas for private individuals, which, their author being little known, are for the most part attributed to Gentile, or to Giovanni. The artist who is mentioned by Vasari as the pupil of Giovanni, named Girolamo Mocetto, was one of the earliest and least polished among his disciples. He did not reach the sixteenth century; and left behind him some engravings upon copper, now become extremely rare; besides small pictures, one of which, subscribed with the author's name, in 1484, is in the possession of the before mentioned house of Corer. The Veronese, who are in possession of his portrait, amongst those of the painters of their town, in the Scuola del Nudo, can also boast one of his altarpieces, bearing the name and date of 1493, in their church of S. Nazario e Celso. Such information I obtained from Signor Saverio dalla Rosa, a Veronese painter of merit. Another less distinguished, and somewhat stiff scholar or imitator of Bellini, has affixed his name in several places, at the foot of sacred figures, as follows: "_Marcus Martialis Venetus_;" and in a _Purificazione_, existing in the Conservatory of the Penitents, we meet with the year 1488. And from a _Supper of Emmaus_, belonging to the family of the Contarini, with the painter's name, we learn that in the year 1506 he was still alive.