[Footnote 8: See his _Descrizione delle Pitture_, &c. p. 19. The learned Morelli also, in his Annotations to the _Notizia_, confirms, by fresh arguments, the same epoch, p. 146.] [Footnote 9: Page 101.] [Footnote 10: This was given to the public by Muratori, with the following title--_Riccobaldi Ferrariensis, sive anonimi scriptoris compilatio chronologica usque ad annum 1312._ (Rerum Italicarum Scriptores, vol. ix. p. 255.)] [Footnote 11: Sig. Sasso observed one extremely like it in Venice, with the subscription _Guglielmus pinxit_, 1368; from which he inferred that he had belonged to the school of Guariento.] [Footnote 12: This _Sebeto_ of Vasari appeared so new to Maffei, that he would willingly have substituted Stefano; (_see Ver. Illust._ p. iii. col. 152,) but Stefano da Verona, or da Zevio, is a name posterior to these times. The _Notizia_ of the anonymous writer, recently published, says, that the church of the before mentioned S. George was ornamented by "Jacopo Davanzo, a Paduan, or a Veronese, if not, as some will have it, a Bolognese; by Altichiero Veronese, according to Campagnuola, p. 6." It must be observed that Vasari also consulted the latter, or probably one of his Latin letters to Niccolo Leonico Tomeo, quoting it several times. (See Morelli, p. 101.) Now in this it was probably written, _ab Alticherio de Jebeto_; that is, da Zevio, which was at one time called _Jebetum_, and Vasari believed it to be the name of an unknown painter. Such is the conjecture communicated to me by Sig. Brandolese, and it appears extremely probable.] [Footnote 13: Signor Abbate Morelli, since P. della Valle, has discovered another painting existing in the Sacristy of the Padri Conventuali, at Vicenza, with this inscription, 1333, PAULUS DE VENETIIS PINXIT HOC OPUS, (_Notiz._ p. 222). He adds also, two other Venetian painters, with whom I have enriched this new edition; the name of one found in a small picture of the Conventuali, at S. Arcangelo, under an image of the Virgin, among various saints, dated 1385. _Jachobelus de Bonomo Venetus pinxit hoc opus._ The other, in the territory of Verruchio, on a crucifixion, with the symbols of the four Evangelists, is in the possession of the Agostiniani, and inscribed 1404: _Nicholaus Paradixi miles de Venetiis pinxit_.]