The History of Painting in Italy, Vol. 3 (of 6): From the Period of the Revival of the Fine Arts to the End of the Eighteenth CenturyLanzi, Luigi
History
The History of Painting in Italy, Vol. 3 (of 6): From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century
Lanzi, Luigi
Painting -- Italy -- History
Let it not from this be supposed, that the sole merit of the Venetians
consists in surprising the spectator by the effects of ornament and
colour, and that the customary style and true method of painting, were
not understood in those parts. Yet I am aware of the opinion of many
foreigners, who having never removed beyond their native spot, are
inclined to pronounce a general censure upon these artists, as being
ignorant of design, too laboured in their composition, unacquainted with
ideal beauty, and even unable to understand expression, costume, and
grace; finally, that the rapidity so much in vogue with the whole of the
school,[41] led them to despise the rules of art, not permitting them to
complete the work before them, out of an anxiety to engage in other
labours, for the sake of the profits afforded by them. To some of their
painters, doubtless, these observations may apply, but assuredly not to
the whole; for if one city be obnoxious to them, another is not so much
so; or if they can be affirmed of a certain epoch or class of artists,
it would be an idle attempt to fix them upon all. This school is in
truth most abundant, no less in artists than in fine examples in every
characteristic of the art; but neither one nor the other are
sufficiently known and appreciated. Yet it is hoped the reader will be
enabled to form a more correct idea of both; and after having cultivated
an acquaintance with the Bellini, the Giorgioni, and the Titians,
besides other masters, will trace, as it were from one parent stock, the
various offshoots transplanted throughout the state, imbibing, according
to the nature of the soil, and the vicinity of other climes, new tastes
and qualities, without losing at the same time their original and native
flavour. And if in the progress of our history we shall here and there,
among plants of nobler growth, meet with some "_lazzi sorbi_," to use
the words of our poet, some bitter apples, growing at their side; let
these only be attacked; but let not the disgrace attaching to a few
careless artists be calumniously extended to the whole of their school.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account