Produced by Barbara Tozier, Bill Tozier, Carol Brown, and the Online Distributed Proofreading Team at https://www.pgdp.net THE HISTORY OF PAINTING IN ITALY. VOL. IV. THE HISTORY OF PAINTING IN ITALY, FROM THE PERIOD OF THE REVIVAL OF THE FINE ARTS TO THE END OF THE EIGHTEENTH CENTURY: TRANSLATED From the Original Italian OF THE ABATE LUIGI LANZI. BY THOMAS ROSCOE. _IN SIX VOLUMES._ VOL. IV. CONTAINING THE SCHOOLS OF LOMBARDY, MANTUA, MODENA, PARMA, CREMONA, AND MILAN. LONDON: PRINTED FOR W. SIMPKIN AND R. MARSHALL, STATIONERS'-HALL COURT, LUDGATE STREET. 1828. J. M'Creery, Tooks Court, Chancery Lane, London. CONTENTS OF THE FOURTH VOLUME. HISTORY OF PAINTING IN UPPER ITALY. BOOK THE SECOND. SCHOOLS OF LOMBARDY. CHAP. I. MANTUAN SCHOOL. Page EPOCH I. _Of Mantegna and his successors_ 5 EPOCH II. _Giulio Romano and his school_ 14 EPOCH III. _Decline of the school, and foundation of an academy in order to restore it_ 26 CHAP. II. MODENESE SCHOOL. EPOCH I. _The old masters_ 32 EPOCH II. _Imitation of Raffaello and Coreggio in the sixteenth century_ 42 EPOCH III. _The Modenese artists of the seventeenth century chiefly follow the example of the Bolognese_ 57 CHAP. III. SCHOOL OF PARMA. EPOCH I. _The ancients_ 74 EPOCH II. _Coreggio, and those who succeeded him in his school_ 79 EPOCH III. _Parmese school of the Caracci, and of other foreigners until the period of the foundation of the academy_ 134 CHAP. IV. SCHOOL OF CREMONA. EPOCH I. _The ancients_ 148 EPOCH II. _Camillo Boccaccino, Il Soiaro, the Campi_ 163 EPOCH III. _Decline of the school of the Campi. Trotti and other artists support it_ 182 EPOCH IV. _Foreign manners introduced into Cremona_ 194 CHAP. V. SCHOOL OF MILAN. EPOCH I. _Account of the ancient masters until the time of Vinci_ 206