Most part of the artists of the Modenese state distinguished themselves in ornamental work and in architecture; such as Girolamo Comi, whose fine perspectives deserved to have been accompanied with superior figures; and Gio. Batista Modonino, called by mistake Madonnino in the Dictionary of Artists, who acquired a high reputation in Rome, and probably left several frescos in the Palazzo Spada. He died of the plague, in Naples, 1656. Antonio Ioli met with a better fate there, about the same period; having acquired the theory of architecture, he passed into Rome, and, entering the school of Pannini, he became one of the most celebrated painters in architecture and ornamental work, known to the present century. Applauded in the theatres of Spain, England, and Germany, all of which he adorned, he afterwards went to Naples, and became painter to Carlo III., and to his successor. Giuseppe Dallamano, a weak man, and, as it is said, unacquainted with his alphabet, was ignorant even of the common principles of the art; though by an extraordinary sort of talent, and especially in colouring, he attained a degree of excellence truly surprising, even to the learned; by which he continued to live, employing himself in the service of the royal family at Turin. His pupil Fassetti was, likewise, an extraordinary character; applying himself, at the age of twenty-eight, to the grinding of colours, he soon began to imitate his master; and ultimately, with the assistance of Francesco Bibiena, he became one of the most skilful among the theatrical painters of Lombardy. He came from Reggio, as well as his contemporary Zinani, and the younger Spaggiasi, both educated in the school of Bibiena; although of the father of Spaggiasi, who died in the service of the king of Poland, the master's name remains unknown. To these we might add the name of Bartoli, Zannichelli, Bazzani, and of others, either yet flourishing or deceased; names by which the cavalier Tiraboschi is justified in observing, that "Reggio had the honour of having at all times produced excellent theatrical painters."