Produced by Barbara Tozier, Bill Tozier, Carol Ann Brown, and the Online Distributed Proofreading Team at http://www.pgdp.net THE HISTORY OF PAINTING IN ITALY. VOL. V. THE HISTORY OF PAINTING IN ITALY, FROM THE PERIOD OF THE REVIVAL OF THE FINE ARTS TO THE END OF THE EIGHTEENTH CENTURY: TRANSLATED From the Original Italian OF THE ABATE LUIGI LANZI. BY THOMAS ROSCOE. _IN SIX VOLUMES._ VOL. V. CONTAINING THE SCHOOLS OF BOLOGNA, FERRARA, GENOA, AND PIEDMONT. LONDON: PRINTED FOR W. SIMPKIN AND R. MARSHALL, STATIONERS'-HALL COURT, LUDGATE STREET. 1828 J. M'Creery, Tooks Court, Chancery Lane, London. CONTENTS OF THE FIFTH VOLUME. HISTORY OF PAINTING IN UPPER ITALY. BOOK THE THIRD. BOLOGNESE SCHOOL. Page EPOCH I. _The ancient masters_ 6 EPOCH II. _Various styles, from the time of Francia to that of the Caracci_ 50 EPOCH III. _The Caracci, their scholars and their successors, until the time of Cignani_ 96 EPOCH IV. _Pasinelli, and in particular Cignani, cause a change in the style of Bolognese painting. The Clementine academy and its members_ 217 BOOK THE FOURTH. SCHOOL OF FERRARA. EPOCH I. _The ancient masters_ 281 EPOCH II. _Artists of Ferrara, from the time of Alfonso I. till Alfonso II., last of the Este family in Ferrara, who emulate the best Italian styles_ 301 EPOCH III. _The artists of Ferrara borrow different styles from the Bolognese school--Decline of the art, and an academy instituted in its support_ 328 BOOK THE FIFTH. EPOCH I. _The ancient masters_ 359 EPOCH II. _Perino and his followers_ 369 EPOCH III. _The art relapses for some time, and is re-invigorated by the works of Paggi and some foreigners_ 392 EPOCH IV. _The Roman and Parmesan succeed to the native style--Establishment of an academy_ 424